Wednesday, 14 October 2015
Gigi Hadid Wants to Be the New Subway Jared
After Subway's Jared Fogle's fall from grace, the sandwich chain has yet to fill his proverbially oversized pants. But fear not, supermodel Gigi Hadid is down for the gig. The 20-year-old posted a photo from her Vogue Netherlands cover shoot on Instagram in which she's pictured stretching the waistband of her trousers with the caption, "When Subway needs a new spokesperson.. ;)" We see what you did there, Gigi.
After a period of decline, Levi's is again on the rise, posting a 15 percent net-income increase in the third quarter of this year. The brand's revamped women's line, which features Alicia Keys as a spokeswoman, has had an especially positive reaction from consumers that is reflected in the double-digit increase in sales.
Belstaff will be awarded more than $42 million after winning a lawsuit against several websites selling counterfeit goods. The British brand filed a U.S. civil suit in June of this year, challenging more than 676 online retailers selling fake Belstaff merchandise. The ruling gives hope in the digital age, when counterfeiters run rampant on the Internet.
FabFitFun, a lifestyle magazine and e-commerce website founded by former E! News host Giuliana Rancic, has completed its first round of funding. The L.A.-based company, which launched a subscription box service in 2013, raised $3.5 million, with plans to use the money to double its staff and expand services.
Monday, 12 October 2015
Savannah Chrisley Is a Beauty Queen
Hey Todd Chrisley, it looks like you have a true star on your hands!
Savannah Chrisley was officially named 2016 Miss Tennessee Teen USA over the weekend. The Chrisley Knows Best star wowed the judges with her beauty, brains and charisma as she competed in front of her family and a packed audience Saturday evening.
"IM SO BLESSED TO HAVE WON MISS TN TEEN USA!! It was such a blessing to be able to compete with such amazing girls this weekend!! Any one of these girls could have won the crown!" she shared on Instagram. "Thank you to my parents and friends for helping me prepare for this weekend. But MOST IMPORTANTLY thank you God for allowing me to live such a blessed life."
While fans may be used to seeing Savannah and her family at their home in Atlanta, the blond beauty recently moved to Tennessee to begin her college career and is currently a freshman at Lipscomb University.
One person who was extra proud of Saturday's results was her dad, Todd. In a serious of Instagram posts, the patriarch of the famous family gushed over his talented daughter who is becoming a role model for young girls.
"Love you so much little girl, you have so many girls looking up to you, so never make them feel that they made a mistake in trusting you," he wrote. "I am so proud of you for who you are and the young woman you are becoming."
But perhaps the happiest family member is mama Julie Chrisley. After posing for pictures backstage, Savannah couldn't help but give thanks to a mom who has been along for the entire ride.
"Happiness for me is seeing my mother smile. I love this woman more than life itself because she gave me everything," the 18-year-old wrote. "Nothing makes me happier than knowing and seeing how proud she is of me."
She added, "Thank you for being on the crazy journey with me...and REMEMBER...it's not MY journey...it's OUR journey."
Thursday, 8 October 2015
The Designers Behind Common Projects on the Brand's 10-Year Success
Common Projects may be one of the most beloved sneaker brands for both the fashion community and celebs including Jay Z, Kanye West, Nick Jonas and John Legend, to name a few, but designers Peter Poopat and Flavio Girolami have remained pretty low key (save for their recent feature on The New York Times) — and they seem to prefer it that way.
Since launching in 2004, the NY-based footwear brand has never advertised their kicks.
"That's how we started. We just tried letting the product speak for itself," Girolami explained to MR PORTER US editor Dan Rookwood on Tuesday evening during a rare Q&A session held with the designers at Milk Studios in L.A. "We just tried to let people talk about it."
"I think in the same way the shoes that we didn't want to wear were… nothing against that, it just wasn't our style. In the same way they were so colorful and bold and screaming for attention in some ways — the thought of the brand was to not do that," said Poopat, former V magazine art director, who met Girolami, a brand consultant, in New York through mutual friends.
"As Flavio said, 'let it speak for itself.' And just to project something to our audience, we like the audience to project themselves into it and have it become for them rather than us telling them what it is."
So far it's been working in their favor — Common Projects' minimalist sneakers are carried by more than 150 retailers worldwide including Mr Porter, which recently featured a story called "The World's Best Shoes." According to an interview with Business of Fashion in 2014, Poopat said the Net-a-Porter Group was their largest account at the time.
Asked what led them to create premium shoes (a pair runs between $380 to $535), Poopat explained: "I think it was drawn out of necessity that Flavio and I both appreciated the minor things that, at the time, we couldn't find something we wanted to wear all the time."
"Back in the day […] there was a lot of colors and we were both wearing very simple things and at the time, my shoes had totally fallen apart. It just kind of happened," he continued. "And we needed to fill that gap, so we created something we both mutually liked and it became the Achilles."
Since the release of the Achilles in 2004, Common Projects has gone on to collaborate with designers Robert Gellar and Tim Coppens, and the eyewear brand Moscot. Most recently, the brand launched a women's shoe collection — one of their latest "projects."
After 10 years of being in business, the founders have no interest in doing anything different.
"We wouldn't have it any other way, at least to this point. I think our process, the way we work together, we don't have to answer to anyone," said Poopat. "We have to answer to our customers. I think that's the most important thing instead of the person counting the number of shoes."
Added Girolami: "It's also the only way for the product to be true to itself. It doesn't have to report or be forced to be something different because some investor wants to up the numbers. For us, our goal is to keep the products as good as possible and close to what our ideas are."
Tuesday, 6 October 2015
The Designer Behind Kendall Jenner's Chic Specs Speaks
The Designer Behind Kendall Jenner's Chic Specs Speaks on the Trendsetting Style
Model-of-the-moment Kendall Jenner recently stepped out during Paris Fashion Week in a pair of attention-grabbing eyeglasses. Ironically, it's what wasn’t there that photographers and bloggers are clamoring for.
The oversized eyewear with thin, light white frames and completely clear lenses are by Garrett Leight California Optical and reminiscent of a retro 1970s movie director's frames meets Gloria Steinem's signature specs, and overall draw a stark contrast to the heavy, black rectangular frames Jenner is usually snapped wearing on the street.
The style is sure to spawn some followers of Jenner fans sporting giant clear frames (whether or not they have prescription lenses) and that’s just fine, because she actually looks totally adorable in her new accessory, using the large and light colored glasses at the center of her latest statement making sartorial play (cue the copy cats).
Here, founder and designer of the brand behind Jenner's specs, Garrett Leight, shares his thoughts on the model's choice in eyewear and why in this case, Kiefer Sutherland’s onscreen style serves as major inspiration.
P: What was your inspiration behind the "Palms" glasses in gold-butterscotch that Kendall Jenner is sporting?
Garrett Leight: I was actually inspired by Kiefer Sutherland's character in the movie Freeway. The shape is different, but the general feeling is the same. There are just so many acetate frames available, I wanted to create something different, but possibly for the same customer.
Is it an older style or custom made for Kendall?
It is actually an older style from about three seasons ago. I think it was a little early because at the time it didn't catch on. But it feels like now people are gravitating towards these kinds of styles.
Are you seeing more oversized optical as a trend?
Yes, it seems to be going back that way. That's where it was at when I was designing my collection in 2009. Then it sort of went away. It's crazy that a trend has already come and gone and is now coming again all within the time I launched my collection.
You do a lot of light and white milky frames — why is this color (or lack of color) flattering to the faces?
I love light colored frames because they somehow have the ability to blend in but also stand out. The subtle touch of color is an interesting look and I've always liked the versatility on many skin tones.
Tuesday, 29 September 2015
Behind-The-Scenes Chanel Video
Kristen Stewart, Lily Collins & Keira Knightley Stun In Behind-The-Scenes
Chanel Video
Some of our fave ladies from Hollywood are starring in the new Chanel campaign for the jewelry line, such as Kristen Stewart, 25, Keira Knightley, 30, and Lily Collins, 26. The behind the scenes video is amazing and everyone had such great things to say about the legendery designer, Karl Lagerfeld.
Kristen has been in countless Chanel campaigns, in fact, we can’t remember the last time she wasn’t in one. So, it is no surprise that she had nothing but amazing things to say about the designer in this BTS vid. “I’m sure that as an artist Karl works instinctively and compulsively in the same way that he does all of his mediums, but really as a photographer there’s such a naturalism like once he’s seen something, you could be done in 5 minutes and you don’t even realize that you just finished the entire thing because he just knows sort of exactly what he wants.”
Karl took the pics of all these gals in Mademoiselle Chanel “to create a series of iconic portraits.” All of the girls were photographed wearing pieces from the re-edition of the “Bijoux de Diamants”, “the only High Jewellery collection designed by Gabrielle Chanel in 1932, and CHANEL Haute Couture pieces that were specifically created for them.”
Lily-Rose Melody Depp gushed, “Whats really incredible about shooting with Karl is that he really knows how to bring out the best in someone which then brings out the best in the clothes, which is a good relationship in that sense and the photos always end up looking really amazing.”
While her mom, Vanessa Paradis, and long-time Chanel muse spoke in beautiful French saying, “Gabrielle Chanel revolutionized fashion. She was amongst the first to dress women in menswear. At a time that women wore suffocating corsets, she went looking for freedom.”
Then, of course, our fave gal, Keira said, “These are incredibly contemporary and it is amazing that this ring was created in 1932. I’ve not seen anything like it recently. It feels very modern – I mean it’s just a very beautiful thing – I suppose its timeless and modern at the same time. But I think the whole collection is a really stunning collection and the fact that it was designed so many years ago, and yet its still so current is the magic of Chanel.”
Some of our fave ladies from Hollywood are starring in the new Chanel campaign for the jewelry line, such as Kristen Stewart, 25, Keira Knightley, 30, and Lily Collins, 26. The behind the scenes video is amazing and everyone had such great things to say about the legendery designer, Karl Lagerfeld.
Kristen has been in countless Chanel campaigns, in fact, we can’t remember the last time she wasn’t in one. So, it is no surprise that she had nothing but amazing things to say about the designer in this BTS vid. “I’m sure that as an artist Karl works instinctively and compulsively in the same way that he does all of his mediums, but really as a photographer there’s such a naturalism like once he’s seen something, you could be done in 5 minutes and you don’t even realize that you just finished the entire thing because he just knows sort of exactly what he wants.”
Karl took the pics of all these gals in Mademoiselle Chanel “to create a series of iconic portraits.” All of the girls were photographed wearing pieces from the re-edition of the “Bijoux de Diamants”, “the only High Jewellery collection designed by Gabrielle Chanel in 1932, and CHANEL Haute Couture pieces that were specifically created for them.”
Lily-Rose Melody Depp gushed, “Whats really incredible about shooting with Karl is that he really knows how to bring out the best in someone which then brings out the best in the clothes, which is a good relationship in that sense and the photos always end up looking really amazing.”
While her mom, Vanessa Paradis, and long-time Chanel muse spoke in beautiful French saying, “Gabrielle Chanel revolutionized fashion. She was amongst the first to dress women in menswear. At a time that women wore suffocating corsets, she went looking for freedom.”
Then, of course, our fave gal, Keira said, “These are incredibly contemporary and it is amazing that this ring was created in 1932. I’ve not seen anything like it recently. It feels very modern – I mean it’s just a very beautiful thing – I suppose its timeless and modern at the same time. But I think the whole collection is a really stunning collection and the fact that it was designed so many years ago, and yet its still so current is the magic of Chanel.”
Friday, 25 September 2015
Lily-Rose Depp Models for 'Vogue' Paris
Lily-Rose Depp Models for 'Vogue' Paris; Moschino's Windex iPhone Cases Are Already Sold Out
Johnny Depp and Vanessa Paradis' daughter, Lily-Rose Depp, has officially solidified her place in high-fashion by landing an editorial for Vogue Paris. The 16-year-old, who has already worked her way into Karl Lagerfeld's heart and starred in an eyewear campaign for Chanel, was stunning in the edgy photos shot by Inez and Vinoodh.
Moschino's spring 2016 collection hit the runway just this afternoon in Milan, but an item from the brand's shoppable capsule collection is already sold out. A $95 Windex iPhone case, part of an entire Windex-themed look that Jeremy Scott sent down the car wash-themed runway, is no longer available for purchase. Bummer.
In honor of Superbowl 50, which will be held in Santa Clara, Calif., the NFL is launching a women's apparel collection with a gold "50" logo, which celebrates the Bay Area's gold-mining heritage. Brands like Nike and Majestic will be participating in the collection, which will debut at the NFL Style Showdown at Artbeam. Though the game isn't until Feb. 7 of next year, women can purchase apparel online at the NFL's shop as early as Oct. 15.
Wednesday, 23 September 2015
Windswept Waves & Pale Pink Lips
Michelle Obama Greets The Pope With Windswept Waves & Pale Pink Lips
First Lady Michelle Obama was all smiles as she stood alongside husband Barack Obama, and their daughters Malia Obama and Sasha Obama as the Pope arrived in Washington D.C. Wearing her lob styled in loose waves with soft eyeshadow and a pale pink lip, Michelle looked gorgeous for the papal visit.
With all of her travels and meetings with heads of state over the years, Michelle has become a pro at knowing exactly what to wear for every occasion. For the first papal visit since 2008, she opted for a simple pale blue dress with high-neck and belted detailing.
Keeping her beauty look reserved as well, Michelle styled her hair in undone waves (a smart move considering all of the wind the Pope’s jet created while landing). For her makeup, neutral eyeshadows and a soft pink lip like Laura Mercier Crème Smooth Lip Colour in Pink Pout to complete her sophisticated look.
Michelle Obama’s Beauty Look While Meeting The Pope
The Pope first announced his trip to the U.S. in November 2014, and his meeting with the First Family makes him just the third pope to visit Washington D.C. and meet with the president. After meeting with the President, the Pope will head to New York City where he’ll hold mass at St. Patrick’s Cathedral before ending his U.S. tour in Philadelphia.
Monday, 21 September 2015
The 2015 Emmys
Kerry Washington Is Wearing Marc Jacobs at the 2015 Emmys
Kerry Washington stepped out in a Marc Jacobs gown (straight from the designer's spring collection) on the red carpet at the 2015 Emmy Awards, held at the Microsoft Theater on Sunday (Sept. 20) in Los Angeles.
The actress is presenting at this evening's awards. Her co-star Khandi Alexander is nominated for the role of Maya Lewis on the ABC show.
Styled by Erin Walsh, she donned an embroidered metallic dot lace three-quarter length sleeve v-neck gown with embellished shoulders, a degrade gold sequin scalloped hem and side slits.
Washington's ensemble is particularly exciting because he just showed his spring 2016 collection on Thursday, Sept. 17 at the Ziegfeld Theater in New York, meaning, Kerry and stylist Walsh snagged the newest hottest dress right off the runway.
Jacobs has rarely ever had a gown from his own eponymous collection walk the runway (though he had many a gown on the red carpet when he designed for Louis Vuitton). When his company recently hired celebrity wrangler Celine Khavarani away from many years at Prada, it did seem he’d be making a play for the red carpet — as reported first by THR. Now it’s clear he is, and it will be interesting to watch his own collection add lots of carpet-worthy evening — and who gets to wear them.
Friday, 18 September 2015
Lorde Had the Perfect Beauty Solution for Her Sensitive Skin
Fashion week is hard enough when you're a model or an editor running around between shows in the sweltering New York heat, but it's even harder when you're an international popstar traveling the world for months at a time to perform and occasionally dropping by to support a fellow musician by sitting front row at his fashion show.
Like the trooper that she is, however, Lorde managaed to do just that. Wedged between Kourtney Kardashian and Riccardo Tisci at pal Kanye West's Yeezy Season 2 presentation, the singer managed to take in the all the sights to be seen at the show — despite a rather irritated eyeball.
Understandably, Lorde did not want to miss the spectacle, so the 18-year-old came up with the perfect solution for her sensitive skin: She decided not to wear makeup on half of her face.
"the skin is peeling off my lips and hands these days i very rarely see the sun and my eye is weeping and screaming and it's fashion week and everyone already thinks i'm strange and it's a kanye show where the freaks are beautiful so why not say fuck it and let's dance with the melodrama?" she captioned an Instagram showing her puffy red right eye juxtaposed next to the perfectly winged liner on her left eye.
Once at the show, Lorde seemed unconcerned by her uneven beauty look, even taking the chance to pose with Drake, whom "low key" referred to her as his "wifey" via Instagram. Do we smell a collaboration brewing in the future? Fingers crossed.
Wednesday, 16 September 2015
Malin Akerman Only Wears Pink
Malin Akerman Only Wears Pink If It's "Edgy"
“One of the first magazines I was ever in, I wore a Milly dress and have just fallen in love since then,” said Orange Is the New Black’s Samira Wiley at the Milly spring 2016 show on Tuesday.
The actress had just returned from L.A. and was attending her first show of the season. “I’m working the rest of the week, having some fun today,” she said, before being called to pose for photographs with fellow front-row attendee actress Malin Åkerman.
“I became a big fan just recently, this year,” said Åkerman, in a bold pink Milly top and skirt. “I love the colors, the cuts. It’s just funky and edgy and right up my alley. I usually wouldn’t wear pink, but because of the way this is cut — it’s just very edgy.”
Åkerman, who will next star in the legal thriller Beyond Deceit with Oscar winners Anthony Hopkins and Al Pacino, is “taking it easy” this fashion week, explaining that it was her son’s first week of preschool. “I want to be there for him — drop him off, pick him up from school. That’s my priority.” The actress attended DVF earlier in the week and planned to make an appearance at Ralph Lauren, she said.
Plus-size model Ashley Graham was also in attendance, as was Solange Knowles (who refused interviews, echoing similar sentiments earlier in the week), taking her seat seconds before the show began.
FKA Twigs' “Figure 8” blasted as models, showcasing a natural face and slicked back hair, unveiled a collection full of strapless and off the shoulder pieces, plunging necklines — neutral and colorful solids, bold prints and stripes — accessorized with choker necklaces and strappy, black heeled sandals. Following the final look, Milly designer Michelle Smith came out to applause with her two young children in hand, and soon, Knowles could be seen posing for selfies with fans, as she made her way backstage.
Monday, 14 September 2015
Orange Is the New Black's
This Is How 'Orange Is the New Black's' Dascha Polanco Preps for the Emmys
She must get really sick of the prison-inspired makeup and hair required for playing Dayanara Diaz on Orange Is the New Black, because in her spare time actress Dascha Polanco really mixes it up. She sat front row — her first time! — at Mara Hoffman’s show Saturday, which was the perfect place to debut her new rose-gold bob.
The actress, who has rocked gray and garnet red locks before now as well as countless cuts, styles and textures is a bit of a beauty chameleon. Her hair stylist Cynthia Alvarez — who also works with Keke Palmer and Adrienne Bailon — was responsible for this new change that she said was a "very difficult process to get rose gold. We were embracing color tones and our undertones as Latinas," said Polanco before the show.
As for the Emmys, she says they're procrastinating on the dress, but that since "last year I did kind of a princess-y thing, this year I’m going for va-va-voom — embrace those curves!" She may not have a gown picked out, but she did mention she feels loyal to Houghton — "she’s my go-to designer" — whose show she’ll attend on Monday.
And she has her pre-awards show ritual down pat: "Juicing, body scrubs, massage — it’s all about healthy skin, feeling great and clean, and then I fragrance it up!" said Polanco. "I have a whole ritual about fragrancing myself up." At this particular show she layered handmade shea butter with jasmine, Dove spray, L’Occitane shimmer and Ralph Lauren Romance ($41). "It depends on what the mood is. I’m into [Le Labo] Santal For award shows I wear all my exclusives, like Creed or L’Artisan. Or this fire one, it’s woodsy and a men’s cologne that’s exclusive to Barneys. It’s a men’s fragrance I like to wear at awards shows."
Wednesday, 9 September 2015
DJ Mia Moretti Joins The RealReal as an Ambassador
Some partnerships are seemingly just for show, but DJ Mia Moretti's new role as fashion and arts ambassador for luxury consignment site The RealReal actually is hands-on. The former MAC collaborator kicks things off Wednesday at 7 a.m. PT with a curated sale featuring goodies by Chanel, Marni, Etro and more.
Along with hand-picking pieces for this sale, Moretti will be curating editorial content, styling look books for the site and taking the lead on new philanthropic and artistic initiatives. As for why The RealReal wanted the DJ on its team, she has impeccable taste — she cites a new gold Hermes scarf as something she themed her entire suitcase around, and her can't-travel-without pieces include a Missoni bikini, practical ladylike flats and an evening bag. But her whole approach to building an ensemble is inspiring and fantastic.
"There's really no rhyme or reason to getting ready," says Moretti of selecting her outfit for a gig. "I usually put a bit of Ella Fitzgerald on my record player, pour a glass of wine and just start decorating. It's like decorating a room really. You start with one piece and build from there. It's usually the shiny and new piece that I start with, because it's so hard to resist that new find." Amen, sister.
Monday, 7 September 2015
Kristen Stewart Stuns in Sparkling Dress and Goes Barefoot
Kristen Stewart Stuns in Sparkling Dress and Goes Barefoot at 2015 Venice Film Festival
Hey, heels hurt.
Kristen Stewart smiled, got comfy and kicked off her pumps as she settled into a seat at a premiere screening of her newest film, Equals, at the 2015 Venice Film Festival in Italy on Saturday.
The actress, best known for her role in the Twilight films, wore a stunning, sparkling, gray lace and satin color-block tea-length Chanel fall 2015 Couture dress with elbow-length sleeves, an asymmetrical, scalloped hem, sheer overlays with silver embellishments and shoulder straps. She rocked the look on the red carpet, pairing it with metallic pointed pumps and a dark berry lip color.
The actress has often kicked off her shoes and gone barefoot at movie premieres, such as last month's Los Angeles premiere of American Ultra.
Equals, a dystopian sci-fi film, stars X-Men star Nicholas Hoult as Stewart's love interest. A U.S. release date has not been announced.
"Thank you to Venice and for everyone's support," Hoult, 25, said on Twitter. "Very special memories made with the #Equals gang this weekend. So proud of them all."
Friday, 24 July 2015
Lauren Manzo of Real Housewives of New Jersey Marries Vito Scalia
“Real Housewives Of New Jersey” former star said that it was her fairy tale
wedding.
Lauren Manzo stars in “Manzo’d with Children”.
Lauren and Vito exchanged vows at St. Cyril’s Church in New York City, Us Weekly reports.
After the ceremony, the daughter of Real Housewives Of New Jersey’s Caroline Manzo headed back home for a reception at the family’s The Brownstone Restaurant in Paterson, New Jersey.

Picture:red bridesmaid
dresses uk
Reality star Lauren Manzo got married to her long time sweetheart in a lavish New York wedding, which will be shown in the second season of “Manzo’d with Children”. How exciting!
Bravo stars Melissa Gorga, Kathy Wakile, Dina Manzo and Rosie Pierri were among the many in attendance.
“[Today] is exactly what I always wanted”, the blushing bride told Us. “I want her to just embrace this moment and I want to see her really, really shine”, her mom told US Weekly. “I had my fairytale wedding, fairytale dress but most importantly the best Prince Charming by my side to enjoy it with…”
Lauren wore Vera Wang, Caroline having teased the detail of the day yesterday on Instagram.
She also shared a black and white photo with her groom, who looked dapper in his simple tuxedo. Their wedding will be featured in season two of Manzo’d with Children, which premieres August 16 on Bravo.
Engaged since November 2013, Lauren and Vito met several years earlier, when her older brother, Albie, attended Fordham University with Vito.
We wish Lauren and Vito all the happiness in the world as they start this new chapter in their lives.
Wedding prep has been in full swing in recent days, and last month Lauren celebrated her waning days of bachelorettehood with some of her best gal-pals, the lot of them getting up to all sorts of champagne-fueled antics.
Read more at:bridesmaid dresses vintage
Lauren Manzo stars in “Manzo’d with Children”.
Lauren and Vito exchanged vows at St. Cyril’s Church in New York City, Us Weekly reports.
After the ceremony, the daughter of Real Housewives Of New Jersey’s Caroline Manzo headed back home for a reception at the family’s The Brownstone Restaurant in Paterson, New Jersey.
Reality star Lauren Manzo got married to her long time sweetheart in a lavish New York wedding, which will be shown in the second season of “Manzo’d with Children”. How exciting!
Bravo stars Melissa Gorga, Kathy Wakile, Dina Manzo and Rosie Pierri were among the many in attendance.
“[Today] is exactly what I always wanted”, the blushing bride told Us. “I want her to just embrace this moment and I want to see her really, really shine”, her mom told US Weekly. “I had my fairytale wedding, fairytale dress but most importantly the best Prince Charming by my side to enjoy it with…”
Lauren wore Vera Wang, Caroline having teased the detail of the day yesterday on Instagram.
She also shared a black and white photo with her groom, who looked dapper in his simple tuxedo. Their wedding will be featured in season two of Manzo’d with Children, which premieres August 16 on Bravo.
Engaged since November 2013, Lauren and Vito met several years earlier, when her older brother, Albie, attended Fordham University with Vito.
We wish Lauren and Vito all the happiness in the world as they start this new chapter in their lives.
Wedding prep has been in full swing in recent days, and last month Lauren celebrated her waning days of bachelorettehood with some of her best gal-pals, the lot of them getting up to all sorts of champagne-fueled antics.
Read more at:bridesmaid dresses vintage
Monday, 20 July 2015
'I do' outdoors - Downtown pocket park offers 'beautiful' setting to tie the knot
Ti and Amber Biby of East Grand Forks love to be outdoors every chance they
get. So it made sense that when they decided to marry, they would have an
outdoor wedding.
"We spend the entire winter waiting for summer to come," he said. "We do as little as possible inside in the summer, so this wasn't any different."
They chose Arbor Park, a pocket park nestled between Norby's Work Perks and Sledster's Food & Brew on South Fourth Street in downtown Grand Forks.
"It's beautiful," Amber said.
The park features a raised mound area, framed by a 10-foot arbor of branches intertwined at the top, where they stood before a minister and read the vows they each wrote.
"(The setting) is perfect," she said. "It's just made for a wedding."
She and Tim met two summers ago at the annual Moondance Jam festival near Walker, Minn.
"I saw her dancing," he said. "I told a friend that I should meet that gal. I said it off the cuff; I didn't mean anything by it."
Later, his friend brought her over to meet him.
At the time, Amber lived in Brainerd, Minn., Tim in Grand Forks. After they met, they kept in touch by phone for about a month before he went to see her in Brainerd. Later, she traveled to Grand Forks to see him.
"She fell in love with the city," he said.
"I fell in love with everything," she said, "the outdoor parks, activities for the kids, parades, movies in the park. I just fell in love with them.
"It's a nice area and a nice community."
They both have children from previous marriages.
When they started to get serious, they talked about where to live, he said. "It worked better for the kids for her to move this direction."
When the couple bought a house in East Grand Forks last summer, Amber and her children moved here.
They were married on July 11 in the presence of about 30 relatives and friends who had traveled from California, Florida, Minnesota and other parts of North Dakota for the occasion.
Their attendants were his children, Hannah, Clyde and Julia Biby, who are 10, 8 and 7, respectively, and her children, Kylie and Keith Finch, 11 and 5, respectively.
Clyde and Keith were both the "best man," Amber said. Kylie, Hannah and Julia were maids of honor.
The course of their relationship has been "very natural," Amber said. The two families have blended well.
"Luckily, it's been really nice and a good fit ... (The wedding) is for all of us."
They hired a musician, Andrew Konderla, to play acoustic guitar, and Amber's best friend from high school, Tiffany Ellingson of Waconia, Minn., who had recently been ordained, presided. This was the first marriage ceremony she officiated.
"She has watched our relationship unfold," Amber said.
After the wedding, they continued the outdoor theme, inviting guests to their home to celebrate around a bonfire.
"I'm surprised that more people don't do more stuff (in the city's pocket parks)," Amber said. "It was really exciting to find out we could use Arbor Park (for our wedding)."
Grand Forks' pocket parks are "very popular" as wedding locations, said Sharyl Simeone, communications specialist with the City of Grand Forks. "Town Square is popular, too."
"They are beautiful places to have weddings," she said, estimating eight to 12 weddings a year are held in these locations.
The city charges $50 to reserve the space, along with a refundable $100 damage deposit—but the city rarely keeps it, she said. "People are very good about leaving things the way they found them."
If needed, temporary barricades are set up on the street to accommodate the bridal couple's vehicle and to ease the arrival and departure of elderly guests.
As part of her job, Simeone works with people who are planning all kinds of special events on city property, including those who want to create a romantic atmosphere for a memory-making experience.

Picture:wedding dress
shops cardiff
"I remember one couple who had met in Town Square," she said. For their wedding anniversary, the husband surprised his wife by "putting on a whole dinner there—and hired a string quartet to play."
Another man set the stage by lining the downtown greenway sidewalk with tealights, leading to the gazebo where he proposed to his girlfriend.
"You see things like this all the time," Simeone said.
Outdoor weddings can be beautiful but it's always a good idea to have alternative plans ready in case of inclement weather.
"It's always good to have a 'plan B,' " said Nancy Zalewski, owner of Kristen's Bridal & Tuxedo in Grand Forks, "whether it's tents outside for your guests to sit under or renting a community center."
In her 36 years as a bridal store owner, Zalewski has worked with many couples planning outdoor ceremonies, "especially in the lakes country (of Minnesota)."
Her advice to brides is to choose a gown that's "lighter and airy, depending on where they're having it," she said. And usually shorter trains are best.
Hem your wedding gown "a little bit shorter, so it won't get grass stained," she said.
If the bride is planning to wear high heels, Zalewski recommends a clear plastic product, called Sole Mates, which covers the heel.
"It gives your shoes a wider base so you don't sink into the grass," she said. "It's a really nice product."
She also recommends not using real flowers as a garland in your hair, she said. "I've seen them—especially daisies—wilt before anything gets going."
Wedding photography usually takes place before the wedding so, in hot humid weather, some flowers tend to droop.
"You could ask the florist for recommendations on flowers that may be a little more heat-resistant than others," she said.
Scheduling the wedding for later in the day is a good idea, she said. "It's generally cooling off by then."
"You can also string lights on trees which makes your setting look more like a fairy-tale world for your guests to enjoy," she said.
But there are some guests, like mosquitoes and other insects, you really don't want to attend, she said. So don't choose their favorite habitat as a wedding site.
"This is just my opinion, but I suggest having your wedding where you have pest control," she said.
"If you're going to wade out in the middle of a big grassy field, you can expect these pests," she said. "I prefer manicured lawns and parks where they have sprayed."
Read more:jasmine bridesmaid dresses
"We spend the entire winter waiting for summer to come," he said. "We do as little as possible inside in the summer, so this wasn't any different."
They chose Arbor Park, a pocket park nestled between Norby's Work Perks and Sledster's Food & Brew on South Fourth Street in downtown Grand Forks.
"It's beautiful," Amber said.
The park features a raised mound area, framed by a 10-foot arbor of branches intertwined at the top, where they stood before a minister and read the vows they each wrote.
"(The setting) is perfect," she said. "It's just made for a wedding."
She and Tim met two summers ago at the annual Moondance Jam festival near Walker, Minn.
"I saw her dancing," he said. "I told a friend that I should meet that gal. I said it off the cuff; I didn't mean anything by it."
Later, his friend brought her over to meet him.
At the time, Amber lived in Brainerd, Minn., Tim in Grand Forks. After they met, they kept in touch by phone for about a month before he went to see her in Brainerd. Later, she traveled to Grand Forks to see him.
"She fell in love with the city," he said.
"I fell in love with everything," she said, "the outdoor parks, activities for the kids, parades, movies in the park. I just fell in love with them.
"It's a nice area and a nice community."
They both have children from previous marriages.
When they started to get serious, they talked about where to live, he said. "It worked better for the kids for her to move this direction."
When the couple bought a house in East Grand Forks last summer, Amber and her children moved here.
They were married on July 11 in the presence of about 30 relatives and friends who had traveled from California, Florida, Minnesota and other parts of North Dakota for the occasion.
Their attendants were his children, Hannah, Clyde and Julia Biby, who are 10, 8 and 7, respectively, and her children, Kylie and Keith Finch, 11 and 5, respectively.
Clyde and Keith were both the "best man," Amber said. Kylie, Hannah and Julia were maids of honor.
The course of their relationship has been "very natural," Amber said. The two families have blended well.
"Luckily, it's been really nice and a good fit ... (The wedding) is for all of us."
They hired a musician, Andrew Konderla, to play acoustic guitar, and Amber's best friend from high school, Tiffany Ellingson of Waconia, Minn., who had recently been ordained, presided. This was the first marriage ceremony she officiated.
"She has watched our relationship unfold," Amber said.
After the wedding, they continued the outdoor theme, inviting guests to their home to celebrate around a bonfire.
"I'm surprised that more people don't do more stuff (in the city's pocket parks)," Amber said. "It was really exciting to find out we could use Arbor Park (for our wedding)."
Grand Forks' pocket parks are "very popular" as wedding locations, said Sharyl Simeone, communications specialist with the City of Grand Forks. "Town Square is popular, too."
"They are beautiful places to have weddings," she said, estimating eight to 12 weddings a year are held in these locations.
The city charges $50 to reserve the space, along with a refundable $100 damage deposit—but the city rarely keeps it, she said. "People are very good about leaving things the way they found them."
If needed, temporary barricades are set up on the street to accommodate the bridal couple's vehicle and to ease the arrival and departure of elderly guests.
As part of her job, Simeone works with people who are planning all kinds of special events on city property, including those who want to create a romantic atmosphere for a memory-making experience.
"I remember one couple who had met in Town Square," she said. For their wedding anniversary, the husband surprised his wife by "putting on a whole dinner there—and hired a string quartet to play."
Another man set the stage by lining the downtown greenway sidewalk with tealights, leading to the gazebo where he proposed to his girlfriend.
"You see things like this all the time," Simeone said.
Outdoor weddings can be beautiful but it's always a good idea to have alternative plans ready in case of inclement weather.
"It's always good to have a 'plan B,' " said Nancy Zalewski, owner of Kristen's Bridal & Tuxedo in Grand Forks, "whether it's tents outside for your guests to sit under or renting a community center."
In her 36 years as a bridal store owner, Zalewski has worked with many couples planning outdoor ceremonies, "especially in the lakes country (of Minnesota)."
Her advice to brides is to choose a gown that's "lighter and airy, depending on where they're having it," she said. And usually shorter trains are best.
Hem your wedding gown "a little bit shorter, so it won't get grass stained," she said.
If the bride is planning to wear high heels, Zalewski recommends a clear plastic product, called Sole Mates, which covers the heel.
"It gives your shoes a wider base so you don't sink into the grass," she said. "It's a really nice product."
She also recommends not using real flowers as a garland in your hair, she said. "I've seen them—especially daisies—wilt before anything gets going."
Wedding photography usually takes place before the wedding so, in hot humid weather, some flowers tend to droop.
"You could ask the florist for recommendations on flowers that may be a little more heat-resistant than others," she said.
Scheduling the wedding for later in the day is a good idea, she said. "It's generally cooling off by then."
"You can also string lights on trees which makes your setting look more like a fairy-tale world for your guests to enjoy," she said.
But there are some guests, like mosquitoes and other insects, you really don't want to attend, she said. So don't choose their favorite habitat as a wedding site.
"This is just my opinion, but I suggest having your wedding where you have pest control," she said.
"If you're going to wade out in the middle of a big grassy field, you can expect these pests," she said. "I prefer manicured lawns and parks where they have sprayed."
Read more:jasmine bridesmaid dresses
Friday, 17 July 2015
Foyle Hospice search for bride who wore this wedding dress
Inspired by a recent social media campaign to find the husband who donated
his late wife’s wedding dress to St Gemma’s Hospice in Garford, Leeds, with a
note that simply said: “I wish any lady who takes this dress to have a life with
her loved one, 56 years like I did, happy years. I was a lucky man to marry a
lady like mine.’ workers at the Springtown Road Outlet are desperate to find the
person who recently left a bag of donations with the wedding dress inside.
The stunning lace wedding dress appears to be a short 1950s ivory peplum gown. Shops area manager at the Foyle Hospice Jacqui McMonagle revealed that staff have made every effort to restore the dress to its former glory.
“They believe that to every dress there is a story and have decided to set about trying to track down the original owner,” she said.
Photographs of the dress modelled by Miss Donegal finalist Jessica McShane, have been posted on the Foyle Hospice social media and have stirred up some genuine interest. The hair piece was donated by Maggies in Waterloo Street, hair design complimentary of Leah and make up by Claire Crossan, An Siopa Gruige, Buncrana.

Picture:cardiff wedding
dresses
Jacqui continued: “Via social media we’ve had enquiries from all corners of the globe. What we really want to do is track down the original owner or a relative and maybe see a photograph of the bride wearing this exquisite dress at her wedding.”
The dress is currently available for sale through the Foyle Hospice with the highest bid secured no later than 12 noon on Friday 25th September 2015. The lucky new owner will be formally announced at the Vintage Fashion Fair event in the City Hotel on Sunday 27th September 2015.
Although it is probably over sixty years old, the dress itself is in pristine condition and has been carefully restored by one of our volunteers Agnes Doherty. Agnes said, “This wedding dress has already had a beautiful story and it’s just carrying on its journey”.
The knee length white lace gown has a peplum skirt, intricate stitching and floral detail.
We hope that there will be some brides-to-be who are keen to wear this dress on their big day, decades on from when it first walked up the aisle. We would love to hear more about the original owner of this dress.
Read more at:http://www.sheinbridaldress.co.uk/lace-wedding-dresses
The stunning lace wedding dress appears to be a short 1950s ivory peplum gown. Shops area manager at the Foyle Hospice Jacqui McMonagle revealed that staff have made every effort to restore the dress to its former glory.
“They believe that to every dress there is a story and have decided to set about trying to track down the original owner,” she said.
Photographs of the dress modelled by Miss Donegal finalist Jessica McShane, have been posted on the Foyle Hospice social media and have stirred up some genuine interest. The hair piece was donated by Maggies in Waterloo Street, hair design complimentary of Leah and make up by Claire Crossan, An Siopa Gruige, Buncrana.
Jacqui continued: “Via social media we’ve had enquiries from all corners of the globe. What we really want to do is track down the original owner or a relative and maybe see a photograph of the bride wearing this exquisite dress at her wedding.”
The dress is currently available for sale through the Foyle Hospice with the highest bid secured no later than 12 noon on Friday 25th September 2015. The lucky new owner will be formally announced at the Vintage Fashion Fair event in the City Hotel on Sunday 27th September 2015.
Although it is probably over sixty years old, the dress itself is in pristine condition and has been carefully restored by one of our volunteers Agnes Doherty. Agnes said, “This wedding dress has already had a beautiful story and it’s just carrying on its journey”.
The knee length white lace gown has a peplum skirt, intricate stitching and floral detail.
We hope that there will be some brides-to-be who are keen to wear this dress on their big day, decades on from when it first walked up the aisle. We would love to hear more about the original owner of this dress.
Read more at:http://www.sheinbridaldress.co.uk/lace-wedding-dresses
Tuesday, 14 July 2015
Lewis Hamilton goes from world champ to fashion chump after Wimbledon dress code humiliation
Fedora perched at a jaunty angle, floral shirt artfully tucked in, and
casually tapping away on his designer smart phone, Lewis Hamilton cut a lonely -
albeit flamboyantly dressed - figure on his Instagram account.
Apparently watching the men’s final at Wimbledon from a hospitality suite, minutes earlier the sportsman had been turned away from the Royal Box.
While he could have nipped out - or, rather, had a flunky nip out - and bought a new tie to bypass the All England Club’s famously strict dress code, he refused.
The incident, while embarrassing, is also neatly sums up Lewis’ determination to reinvent himself - and his newfound confidence to go it alone.
Now 30, and properly single for the first time in eight years - after splitting fromNicole Scherzinger in February, the star appears to be undergoing something of an early-life revival.
As one friend says: “For the first time in his life, Lewis doesn’t give a toss about pleasing other people.
“He has never been more free to do what he wants, or express himself how he pleases.
Lewis has every intention of making the most of the next few years while he’s still young, good-looking and has the world at his feet.
“He is basically having fun - and it shows.”
Take Lewis’ sense of style, for example.
Pre-Nicole, he dressed - as one commentator observed - “like an insurance salesman” - thanks to an assortment of shiny suits and ill-fitting dad jeans.
Under the American singer’s watchful eye, he discovered designer clothing, stubble and tattoos.
Not to mention the bling...
In 2007 the jewelry started to make an appearance: first the necklaces, then the studs in the ears and, finally, in 2012 the diamond earrings.
Now, once again left to his own devices, Lewis’ sartorial decisions are growing ever-more flamboyant.
He has struck up a close friendship with Balmain designer, Olivier Rousteing - a brand popular with celebs and the high-fashion pack alike - and, post-split, has been seen in an assortment of statement outfits.
In February, he was spotted in Beverley Hills wearing a floral jacket and boots while March saw him attending a dinner in Paris in a green, velvet Balmain jacket.
In something of a coup for one so fashion-obsessed, last month he was announced as Official Ambassador for London Collections: Men.
Lewis himself has said: “My lifestyle has changed a lot over the last decade and I guess my style has in part been influenced by those changes.

picture:sage green
bridesmaid dresses
“I know what I like and I feel more confident about wearing it. I’ve spent a lot of my professional life trying to fit in and prove that I can do my job.
“This feeling of uncertainty has slowly faded as I’ve been able to prove myself. Reaching this point is really a great feeling – it’s as if the fortress can come down and I can just enjoy being myself.”
And a source close to his ex-girlfriend said: “Nicole clearly influenced his fashion but at the same time, she also kept him in check making sure none of his choices were too outlandish.
“Now that she’s out of the picture, the filter has gone.”
After separating from 37-year-old Nicole in February - it was the fourth time the rocky pair had parted ways - Lewis focused all his energies on his racing.
And it worked.
Driving better than ever - he’s currently first in the driver standings, ahead of Mercedes rival Nico Rosberg - he has since admitted the split hit him hard.
He revealed: “It’s not that it’s been easy. It was very, very tough. I’ve just tried to keep my head down.
“I was just determined not to let it get in the way of what I’m here to do. I understood the opportunity ahead of me and I just did everything I could to stay on it.
“But it’s been wobbly. It’s not been easy, but I’m grateful that I’ve stayed on course.”
Undoubtedly Lewis has matured over the years, taking an ever-more involved role in his career management.
Five years ago, he dumped his father, Anthony, as his manager, insisting he wanted to be his “own man”.
Three years ago Lewis, who grew up in a council estate house, moved from Switzerland to the billionaires’ playground of Monaco, later citing the tax break as his incentive.
He also owns a a cabin in Colorado.
He is said to be worth over £70million, and owns his own private jet.
Until recently he was panned by F1 fans for being overly media-trained, and dull in interviews.
Despite this, last year he was named BBC’s Sports Personality of the Year. Brilliantly, he took his portly bulldog, Roscoe - who he has described as his “best friend” - as his date.
He has since changed management companies on two further occasions, and is now represented by an agency specialising in music and celebrity - both Sam Smith and Jessie J are on their books - as he considers a life beyond the race track.
Keen to become a credible recording artist - something he discussed at length with his former Pussycat Doll ex - one thing is for certain: Lewis isn’t doing it for the money.
After signing a £95million three-year deal, the two-time World Championship-winning, Stevenage-born star is one of the most lucrative sportsmen on the planet.
By embarking on a music career and attending a wealth of showbiz events, he does, of course, open himself up to criticism.
In a candid interview earlier this month, he said: “It’s strange how people want everyone to do the same thing as the people back in the day.
“This is how an F1 driver behaves, this is how an F1 driver looks. This is how a driver should be, should talk. It’s just funny for me.
“Firstly, there was never a black driver before so I’m much different to any of the ones in the past: let’s do me.
“Everyone has an opinion. People judge you for everything. Everything. Instead of just keeping to themselves, they’re quick to comment.
“So, in the last few years it’s me just doing me. This is who I am, take it or leave it.”
For a man said to be bland and on occasion boring, this was bold.
The reinvention of Lewis Hamilton has begun...
Read more at:beach wedding dresses
Apparently watching the men’s final at Wimbledon from a hospitality suite, minutes earlier the sportsman had been turned away from the Royal Box.
While he could have nipped out - or, rather, had a flunky nip out - and bought a new tie to bypass the All England Club’s famously strict dress code, he refused.
The incident, while embarrassing, is also neatly sums up Lewis’ determination to reinvent himself - and his newfound confidence to go it alone.
Now 30, and properly single for the first time in eight years - after splitting fromNicole Scherzinger in February, the star appears to be undergoing something of an early-life revival.
As one friend says: “For the first time in his life, Lewis doesn’t give a toss about pleasing other people.
“He has never been more free to do what he wants, or express himself how he pleases.
Lewis has every intention of making the most of the next few years while he’s still young, good-looking and has the world at his feet.
“He is basically having fun - and it shows.”
Take Lewis’ sense of style, for example.
Pre-Nicole, he dressed - as one commentator observed - “like an insurance salesman” - thanks to an assortment of shiny suits and ill-fitting dad jeans.
Under the American singer’s watchful eye, he discovered designer clothing, stubble and tattoos.
Not to mention the bling...
In 2007 the jewelry started to make an appearance: first the necklaces, then the studs in the ears and, finally, in 2012 the diamond earrings.
Now, once again left to his own devices, Lewis’ sartorial decisions are growing ever-more flamboyant.
He has struck up a close friendship with Balmain designer, Olivier Rousteing - a brand popular with celebs and the high-fashion pack alike - and, post-split, has been seen in an assortment of statement outfits.
In February, he was spotted in Beverley Hills wearing a floral jacket and boots while March saw him attending a dinner in Paris in a green, velvet Balmain jacket.
In something of a coup for one so fashion-obsessed, last month he was announced as Official Ambassador for London Collections: Men.
Lewis himself has said: “My lifestyle has changed a lot over the last decade and I guess my style has in part been influenced by those changes.
“I know what I like and I feel more confident about wearing it. I’ve spent a lot of my professional life trying to fit in and prove that I can do my job.
“This feeling of uncertainty has slowly faded as I’ve been able to prove myself. Reaching this point is really a great feeling – it’s as if the fortress can come down and I can just enjoy being myself.”
And a source close to his ex-girlfriend said: “Nicole clearly influenced his fashion but at the same time, she also kept him in check making sure none of his choices were too outlandish.
“Now that she’s out of the picture, the filter has gone.”
After separating from 37-year-old Nicole in February - it was the fourth time the rocky pair had parted ways - Lewis focused all his energies on his racing.
And it worked.
Driving better than ever - he’s currently first in the driver standings, ahead of Mercedes rival Nico Rosberg - he has since admitted the split hit him hard.
He revealed: “It’s not that it’s been easy. It was very, very tough. I’ve just tried to keep my head down.
“I was just determined not to let it get in the way of what I’m here to do. I understood the opportunity ahead of me and I just did everything I could to stay on it.
“But it’s been wobbly. It’s not been easy, but I’m grateful that I’ve stayed on course.”
Undoubtedly Lewis has matured over the years, taking an ever-more involved role in his career management.
Five years ago, he dumped his father, Anthony, as his manager, insisting he wanted to be his “own man”.
Three years ago Lewis, who grew up in a council estate house, moved from Switzerland to the billionaires’ playground of Monaco, later citing the tax break as his incentive.
He also owns a a cabin in Colorado.
He is said to be worth over £70million, and owns his own private jet.
Until recently he was panned by F1 fans for being overly media-trained, and dull in interviews.
Despite this, last year he was named BBC’s Sports Personality of the Year. Brilliantly, he took his portly bulldog, Roscoe - who he has described as his “best friend” - as his date.
He has since changed management companies on two further occasions, and is now represented by an agency specialising in music and celebrity - both Sam Smith and Jessie J are on their books - as he considers a life beyond the race track.
Keen to become a credible recording artist - something he discussed at length with his former Pussycat Doll ex - one thing is for certain: Lewis isn’t doing it for the money.
After signing a £95million three-year deal, the two-time World Championship-winning, Stevenage-born star is one of the most lucrative sportsmen on the planet.
By embarking on a music career and attending a wealth of showbiz events, he does, of course, open himself up to criticism.
In a candid interview earlier this month, he said: “It’s strange how people want everyone to do the same thing as the people back in the day.
“This is how an F1 driver behaves, this is how an F1 driver looks. This is how a driver should be, should talk. It’s just funny for me.
“Firstly, there was never a black driver before so I’m much different to any of the ones in the past: let’s do me.
“Everyone has an opinion. People judge you for everything. Everything. Instead of just keeping to themselves, they’re quick to comment.
“So, in the last few years it’s me just doing me. This is who I am, take it or leave it.”
For a man said to be bland and on occasion boring, this was bold.
The reinvention of Lewis Hamilton has begun...
Read more at:beach wedding dresses
Saturday, 11 July 2015
This fashion show made me totally bored, and I kind of liked it
One of the funny things about going to a fashion show is how quickly it is
over. There is a lot of waiting for it to begin—first to file into the tent or
venue, then for VIPs to be shuffled to the front row and photographed there.
Then, the lights go down, the lights go up, the music thumps, the models stomp,
stomp, stomp around the runway. They all file out once more for a finale, the
designer takes a bow, and you’re out. Once it starts, it’s usually over in about
eight minutes.
But on Wednesday (July 8) a show at Berlin Fashion Week defiantly ignored that timeline. Esther Perbandt, a well-established designer here, handily filled the main tent at Mercedes Benz Fashion Week, even with a 9:30 pm slot. Berliners are known for staying out all night. But I am a New Yorker—an only mildly nocturnal creature, compared to the locals here, and a jet-lagged one at that—and when we filed into the tent around 10pm, it was sleep, more than partying, that I craved.
So I was relieved when the house lights went down, a blue light came up, and the voice of an opera singer filled the tent.
Act I
“Here we go,” I thought. A few long moments later I realized the voice was coming from an actual soprano—a tiny, androgynous figure all in black, who had emerged at the end of the very long runway. Then another singer—this one a man in white—appeared, accompanying her. It got dark again.
I shifted in my seat.
Their voices rose, with an electronic clapping beat behind them, and the lights came on. “Okay,” I thought, “now we’re on.”
A model all in black appeared at the stage entrance—which felt like it was about a quarter of a mile away—and began to walk, very, very slowly toward where I sat, near the pit of photographers at the runway’s end. Usually, photographers’ shutters clack at rapid-fire as the model speeds down the runway toward them. Not this night. They too seemed perplexed by the leisurely pace at which the model was approaching.

Picture:yellow
bridesmaid dresses uk
I could see, eventually, that she wore a loosely flowing black trench over a tailored blouse and shorts. Another female model emerged, this one in a little cropped vest and loose-fitting cropped trousers. Again, all black. The third model also wore black, and sauntered with a molasses swagger that culminated, quite a while later, at the runway’s end. There, he removed the shroud-like hood of his cardigan with great flourish.
The show continued this way for what felt like a very long time. Some of the all-black looks were lovely: a flowing maxi-dress with cris-crossing straps at its back caught my eye, as did a wide lattice-woven fabric, and some broad textured stripes—black-on-black, of course—on a long, gauzy skirt.
One of the male models casually pointed his hands like guns at the photographers when he reached the runway’s end. They had plenty of time to capture it.
Act II
The last model filed backstage, and the lights went down. Done, I thought. Then the lights came up again. The show started all over, with models emerging in white variations of the collection I had just seen.
A cream-colored sleeveless, short one-piece with tuxedo-styling particularly appealed, but I wondered if the show could have used an edit.
I was beginning to recognize the models, as they re-emerged yet again. Here is the guy with the impressive tattoos, the woman with the silver hair, the swashbuckler with the pencil mustache, the Stella Tennantlookalike.
The whole while, the opera singers kept singing at the runway’s edges.
Act III
Then a third act began, with the swashbuckler and his cohorts filing out at a similarly slow speed, in looks combining white and black. They were nice, but similar to what I’d seen: androgynous styling, deconstructed suiting separates, loosely pegged pants, and gauzy shapes given body by thick, printed stripes.
The lights went down, and came back up again. The models all marched out together for a finale—perhaps?—then applause.
The lights went down yet again, and came back up to an empty stage. The crowd started to gather their bags, somewhat hesitantly, as if the seatbelt sign had not yet turned off.
It had not.
The singers re-emerged, this time a willowy figure in a striped skirt and exaggerated motorcycle cap between them. It was the designer, Esther Perbandt, and she appeared to be singing along. Applause. Then, they returned backstage. It was really over now.
I shouldered through the crowd and dashed backstage for a quick pre-arranged interview.
There, I could see the models’ makeup: devoid of color, but with long shadows of thin lashes, dashed below their eyes on onto their cheekbones.
“Tears for the impatient,” Perbandt said, telling me that this—the lack of patience I had guiltily experienced through her show—was actually her starting point for the collection.
“Because I am very impatient, but I am somehow the invention of slowlyness,” she said poetically in English, not the German designer’s first language. “And I have to struggle with that,” she said. “It’s some acceptance for the impatient.”
There’s something in this. And as more time has passed since the show, I’ve come to appreciate it more. In theory, I have always valued the idea of patience with the creative process—I have argued for a slower fashion cycle that gives us more time to appreciate designers’ work (and more time for them to work on and produce it), as well as the clothing in our closets.
At least, that’s what I tell myself. Perbandt’s show had challenged my patience, and in doing so challenged me with a question: After the designer and her staff worked several months to construct her collection, why was it so hard for me to afford her a few more minutes to share it?
I asked if she specifically instructed the models to walk slowly for that reason. No, Perbandt replied. It just happened naturally. But when Sven Helbig, the German composer who did the music, suggested they could walk double-time, she declined.
Read more at:http://www.sheinbridaldress.co.uk/pink-bridesmaid-dresses
But on Wednesday (July 8) a show at Berlin Fashion Week defiantly ignored that timeline. Esther Perbandt, a well-established designer here, handily filled the main tent at Mercedes Benz Fashion Week, even with a 9:30 pm slot. Berliners are known for staying out all night. But I am a New Yorker—an only mildly nocturnal creature, compared to the locals here, and a jet-lagged one at that—and when we filed into the tent around 10pm, it was sleep, more than partying, that I craved.
So I was relieved when the house lights went down, a blue light came up, and the voice of an opera singer filled the tent.
Act I
“Here we go,” I thought. A few long moments later I realized the voice was coming from an actual soprano—a tiny, androgynous figure all in black, who had emerged at the end of the very long runway. Then another singer—this one a man in white—appeared, accompanying her. It got dark again.
I shifted in my seat.
Their voices rose, with an electronic clapping beat behind them, and the lights came on. “Okay,” I thought, “now we’re on.”
A model all in black appeared at the stage entrance—which felt like it was about a quarter of a mile away—and began to walk, very, very slowly toward where I sat, near the pit of photographers at the runway’s end. Usually, photographers’ shutters clack at rapid-fire as the model speeds down the runway toward them. Not this night. They too seemed perplexed by the leisurely pace at which the model was approaching.

I could see, eventually, that she wore a loosely flowing black trench over a tailored blouse and shorts. Another female model emerged, this one in a little cropped vest and loose-fitting cropped trousers. Again, all black. The third model also wore black, and sauntered with a molasses swagger that culminated, quite a while later, at the runway’s end. There, he removed the shroud-like hood of his cardigan with great flourish.
The show continued this way for what felt like a very long time. Some of the all-black looks were lovely: a flowing maxi-dress with cris-crossing straps at its back caught my eye, as did a wide lattice-woven fabric, and some broad textured stripes—black-on-black, of course—on a long, gauzy skirt.
One of the male models casually pointed his hands like guns at the photographers when he reached the runway’s end. They had plenty of time to capture it.
Act II
The last model filed backstage, and the lights went down. Done, I thought. Then the lights came up again. The show started all over, with models emerging in white variations of the collection I had just seen.
A cream-colored sleeveless, short one-piece with tuxedo-styling particularly appealed, but I wondered if the show could have used an edit.
I was beginning to recognize the models, as they re-emerged yet again. Here is the guy with the impressive tattoos, the woman with the silver hair, the swashbuckler with the pencil mustache, the Stella Tennantlookalike.
The whole while, the opera singers kept singing at the runway’s edges.
Act III
Then a third act began, with the swashbuckler and his cohorts filing out at a similarly slow speed, in looks combining white and black. They were nice, but similar to what I’d seen: androgynous styling, deconstructed suiting separates, loosely pegged pants, and gauzy shapes given body by thick, printed stripes.
The lights went down, and came back up again. The models all marched out together for a finale—perhaps?—then applause.
The lights went down yet again, and came back up to an empty stage. The crowd started to gather their bags, somewhat hesitantly, as if the seatbelt sign had not yet turned off.
It had not.
The singers re-emerged, this time a willowy figure in a striped skirt and exaggerated motorcycle cap between them. It was the designer, Esther Perbandt, and she appeared to be singing along. Applause. Then, they returned backstage. It was really over now.
I shouldered through the crowd and dashed backstage for a quick pre-arranged interview.
There, I could see the models’ makeup: devoid of color, but with long shadows of thin lashes, dashed below their eyes on onto their cheekbones.
“Tears for the impatient,” Perbandt said, telling me that this—the lack of patience I had guiltily experienced through her show—was actually her starting point for the collection.
“Because I am very impatient, but I am somehow the invention of slowlyness,” she said poetically in English, not the German designer’s first language. “And I have to struggle with that,” she said. “It’s some acceptance for the impatient.”
There’s something in this. And as more time has passed since the show, I’ve come to appreciate it more. In theory, I have always valued the idea of patience with the creative process—I have argued for a slower fashion cycle that gives us more time to appreciate designers’ work (and more time for them to work on and produce it), as well as the clothing in our closets.
At least, that’s what I tell myself. Perbandt’s show had challenged my patience, and in doing so challenged me with a question: After the designer and her staff worked several months to construct her collection, why was it so hard for me to afford her a few more minutes to share it?
I asked if she specifically instructed the models to walk slowly for that reason. No, Perbandt replied. It just happened naturally. But when Sven Helbig, the German composer who did the music, suggested they could walk double-time, she declined.
Read more at:http://www.sheinbridaldress.co.uk/pink-bridesmaid-dresses
Thursday, 9 July 2015
Changing careers: How a Melbourne lawyer followed a dream and launched her own handbags
Last night’s launch marked the first day of her life as a fashion designer,
12 months after toying with the idea of pursuing her passion.

“There’s been a bit of turbo about it. I tend to be a bit turbo with most
things, so I suppose it’s just the way I function,” the 30-year-old Carlton
resident said.
“I’m sort of a foot in each pond. I actually really enjoy the mental stimulation of being lawyer, I just really wanted to also tap into this more creative side that I felt I wasn’t fulfilling.”
At the private launch of She Lion in the city, she introduced a collection of self-designed handbags, kickstarting a career shift she eventually hopes will inspire others to pursue their dreams.
“I don’t think it could have gone any better,” she said.
Kate has always been “super interested in fashion” but her law career was going from strength to strength.

Picture:wedding dress
shops cardiff
She honed in on an idea to practise fashion law in New York - unavailable in Australia.
She moved with her husband and passed the bar exam there.
All her cards were lined up before the Global Financial Crisis hit.
“We went to New York, and the GFC happened and my husband and I couldn’t get jobs, so we moved back,” she said.
Kate slotted back into Melbourne life but realised after two years on home turf she wanted “more involvement in fashion side of things”.
So she quit and embarked on a period of soul searching.
“My husband said: ‘Why don’t you explore what you want to do?’”
During this three months, she realised there was a gap in the market.
As a career woman she longed for handbags that could hold everything but be fashionable.
“I had a really good search and really couldn’t see much, and noticed there was a huge niche and thought ‘gosh, this could be great’,” she said.
To make her dream a reality, Kate did what was necessary and enrolled in courses to teach her the craft from scratch.
Kate still has a hand in the legal world as a part-time knowledge lawyer for a city firm.
As for her plan for the future?
“I’m very passionate about empowering women. It’s still a reasonably male dominated world in the corporate sector anyway.”
Read more:wedding dresses in manchester
“I’m sort of a foot in each pond. I actually really enjoy the mental stimulation of being lawyer, I just really wanted to also tap into this more creative side that I felt I wasn’t fulfilling.”
At the private launch of She Lion in the city, she introduced a collection of self-designed handbags, kickstarting a career shift she eventually hopes will inspire others to pursue their dreams.
“I don’t think it could have gone any better,” she said.
Kate has always been “super interested in fashion” but her law career was going from strength to strength.
She honed in on an idea to practise fashion law in New York - unavailable in Australia.
She moved with her husband and passed the bar exam there.
All her cards were lined up before the Global Financial Crisis hit.
“We went to New York, and the GFC happened and my husband and I couldn’t get jobs, so we moved back,” she said.
Kate slotted back into Melbourne life but realised after two years on home turf she wanted “more involvement in fashion side of things”.
So she quit and embarked on a period of soul searching.
“My husband said: ‘Why don’t you explore what you want to do?’”
During this three months, she realised there was a gap in the market.
As a career woman she longed for handbags that could hold everything but be fashionable.
“I had a really good search and really couldn’t see much, and noticed there was a huge niche and thought ‘gosh, this could be great’,” she said.
To make her dream a reality, Kate did what was necessary and enrolled in courses to teach her the craft from scratch.
Kate still has a hand in the legal world as a part-time knowledge lawyer for a city firm.
As for her plan for the future?
“I’m very passionate about empowering women. It’s still a reasonably male dominated world in the corporate sector anyway.”
Read more:wedding dresses in manchester
Tuesday, 7 July 2015
THE DAN BAND RETURN TO RUIN YOUR MN WEDDING
It's wedding season, kid!
You sandbaggin' son of a bitch!
OK, so the Dan Band didn't actually appear in the 2005 comedy Wedding Crashers, but comedian Dan Finnerty's outrageous cover band was everywhere in early-aughts screen weddings — to the point where it's a wonder no one has proposed a shared universe theory for Todd Phillips flicks. Twelve years after thrusting their way into the national laugh track with their vulgar rendition of "Total Eclipse of the Heart" in Old School and five after reasserting their hilarity with their take on 50 Cent's "Candy Shop" inThe Hangover, the Dan Band have become synonymous with the pop-culture definition of matrimony. Their presence at any given wedding — real or staged — is just assumed.
Their iconic, subversive covers have made the Dan Band a highly sought-after commodity for brides and grooms looking to inject some levity into their nuptials, but according to Finnerty, unless you're a Vikings linebacker or Persian royalty, his Meatloaf-esque karaoke act won't be making an appearance at your reception. You want to book him at the Brooklyn Center Embassy Suites to serenade your wedding guests? You'd better offer more than an open bar.
Finnerty estimates that the band gets roughly 10 sincere inquiries a week, but the pleas go mostly unheeded because of the cost. So, the Rochester, New York, native decided to put together an LP, appropriately titled The Wedding Album, that you can feed to your DJ in place of a physical performance.
"The joke is that they usually say, 'We don't have any money, but there'll be plenty of beer and plenty of babes,'" Finnerty says. " I used to just send an MP3 and say, ‘Just play this and save your money.' That’s why I wanted to do a wedding album. I knew people couldn't afford it."
The Wedding Album, out July 10 on Comedy Dynamics, is part concept album and part greatest hits collection. It includes the studio version of "Candy Shop" and a winding trance retake of the Old Schoolhit re-titled "Total Remix of the Heart," as well as the instant classic Air Supply reworking of "Making Love Out Of Nothing At All," which features Nicole Scherzinger of the Pussycat Dolls.

Picture:2014 wedding
dresses
The song and the album were originally slated for a December 2013 release, but staff turnover at the label prevented that from happening. Luckily enough, the Dan Band's work is so timeless (they haven't put out a record since 2007, and they're still getting piles of inquiries) thatThe Wedding Album doesn't feel dated. But "We Made Love Out of Nothing at All" does have one flinchingly era-appropriate moment.
Looking to take their collaboration over the top, Finnerty and Scherzinger decided to plop a dubstep break in the tail end of the song. "We were like, 'what would be the cheesiest thing ever?'," Finnerty says. "That was like two years ago at the height of dubstep, and I knew it was just gonna be acid wash jeans."
But the holdup had positive effects too. Finnerty was able to work in collaborations with Train frontman Pat Monahan and Rob Thomas of Matchbox 20 on two original songs. For him, part of the fun was getting such accomplished vocalists to coalesce to his level of dude humor. "We went to his house. He’s the nicest guy in the world, we just hung out for an afternoon and wrote that song ‘Three Way.’" Thomas Monahan preens unironically on a song called "I Can't Believe I Love You," which is styled to be the tune of a newlyweds' first dance.
"We set out to say, ‘What’s the worst song you could play as a first dance song?’," Finnerty says. "It’s about how, statistically, you're never gonna make it as a married couple. But then it’s like ‘well, let’s not worry about divorce, let’s focus on the honeymoon, because we're still gonna do it.’ If people didn't listen to the lyrics, they might miss it."The Wedding Album is loosely styled to follow the trajectory of a traditional wedding reception, though that doesn't necessarily make it a blueprint. For example, Finnerty includes a cover of consummate Beyonce breakup song "Irreplaceable" on the album's tracklist. "I'm not setting out to really have some Christian couple play these songs at their wedding," Finnerty says. "It’s something you put on late night when it’s just your drunk friends."
However, Finnerty had envisioned a more epic, late-night retooling of his career-making "Total Eclipse of the Heart" cover. He'd initially eyed recruiting original artist Bonnie Tyler on the track, but the Welsh songstress balked because of the R-rated lyrics. "It would've been such a high five moment in my life, singing with Bonnie Tyler," Finnerty says. "But she said she'd only do it if there was no swearing, and I was like, ‘What the fuck?’"
"Total Remix of the Heart" is a worthy stand-in. With all the signature "fucks" in place between a whirring EDM beat, it's the perfect way to end your wedding celebration. It'll get everyone from your ex-Marine uncle to your rural goth cousin breaking it down. But if the digital version of the Dan Band isn't enough for you — if you simply must have the real thing — you'd better have the cash.
"Every once in a while, we'll do some weddings," he says. "If people say yes to the scare-away quote that we give, I'm like, ‘Oh fuck, we have to do it.’" Finnerty refuses to disclose what that quote is ("Ah shit, I dunno, they'd have to call my agent," he says), but they've signed to play ceremonies for NFL players and other one-percenters in the past. "We went to Monaco, and there was this Persian guy, I don't know who he is, but they said he was some kind of prince or something," Finnerty says. "I thought we were the band, but we were the last band just for his buddies when they were drunk. We were on a hidden stage that was on rollers. Big reveal."
Though Finnerty says that there are "varied options" that sometimes work out logistically, the chances are that, no matter how big of a Todd Phillips fan your best man who's driving in from Brainerd is, the Dan Band won't be able to squeeze you in. That might just be a godsend, though. Having Finnerty in the flesh might just sabotage your nuptials. With their hotly irreverent stylings, the Dan Band's brand of wedding tunes are aimed at a particular subset of the invitees.
"Not everyone at the wedding is completely in love," Finnerty says. "There’s gotta be some disgruntled couples out there ... we're like the grandma’s nightmare."
Read more:beach wedding dresses uk
You sandbaggin' son of a bitch!
OK, so the Dan Band didn't actually appear in the 2005 comedy Wedding Crashers, but comedian Dan Finnerty's outrageous cover band was everywhere in early-aughts screen weddings — to the point where it's a wonder no one has proposed a shared universe theory for Todd Phillips flicks. Twelve years after thrusting their way into the national laugh track with their vulgar rendition of "Total Eclipse of the Heart" in Old School and five after reasserting their hilarity with their take on 50 Cent's "Candy Shop" inThe Hangover, the Dan Band have become synonymous with the pop-culture definition of matrimony. Their presence at any given wedding — real or staged — is just assumed.
Their iconic, subversive covers have made the Dan Band a highly sought-after commodity for brides and grooms looking to inject some levity into their nuptials, but according to Finnerty, unless you're a Vikings linebacker or Persian royalty, his Meatloaf-esque karaoke act won't be making an appearance at your reception. You want to book him at the Brooklyn Center Embassy Suites to serenade your wedding guests? You'd better offer more than an open bar.
Finnerty estimates that the band gets roughly 10 sincere inquiries a week, but the pleas go mostly unheeded because of the cost. So, the Rochester, New York, native decided to put together an LP, appropriately titled The Wedding Album, that you can feed to your DJ in place of a physical performance.
"The joke is that they usually say, 'We don't have any money, but there'll be plenty of beer and plenty of babes,'" Finnerty says. " I used to just send an MP3 and say, ‘Just play this and save your money.' That’s why I wanted to do a wedding album. I knew people couldn't afford it."
The Wedding Album, out July 10 on Comedy Dynamics, is part concept album and part greatest hits collection. It includes the studio version of "Candy Shop" and a winding trance retake of the Old Schoolhit re-titled "Total Remix of the Heart," as well as the instant classic Air Supply reworking of "Making Love Out Of Nothing At All," which features Nicole Scherzinger of the Pussycat Dolls.
The song and the album were originally slated for a December 2013 release, but staff turnover at the label prevented that from happening. Luckily enough, the Dan Band's work is so timeless (they haven't put out a record since 2007, and they're still getting piles of inquiries) thatThe Wedding Album doesn't feel dated. But "We Made Love Out of Nothing at All" does have one flinchingly era-appropriate moment.
Looking to take their collaboration over the top, Finnerty and Scherzinger decided to plop a dubstep break in the tail end of the song. "We were like, 'what would be the cheesiest thing ever?'," Finnerty says. "That was like two years ago at the height of dubstep, and I knew it was just gonna be acid wash jeans."
But the holdup had positive effects too. Finnerty was able to work in collaborations with Train frontman Pat Monahan and Rob Thomas of Matchbox 20 on two original songs. For him, part of the fun was getting such accomplished vocalists to coalesce to his level of dude humor. "We went to his house. He’s the nicest guy in the world, we just hung out for an afternoon and wrote that song ‘Three Way.’" Thomas Monahan preens unironically on a song called "I Can't Believe I Love You," which is styled to be the tune of a newlyweds' first dance.
"We set out to say, ‘What’s the worst song you could play as a first dance song?’," Finnerty says. "It’s about how, statistically, you're never gonna make it as a married couple. But then it’s like ‘well, let’s not worry about divorce, let’s focus on the honeymoon, because we're still gonna do it.’ If people didn't listen to the lyrics, they might miss it."The Wedding Album is loosely styled to follow the trajectory of a traditional wedding reception, though that doesn't necessarily make it a blueprint. For example, Finnerty includes a cover of consummate Beyonce breakup song "Irreplaceable" on the album's tracklist. "I'm not setting out to really have some Christian couple play these songs at their wedding," Finnerty says. "It’s something you put on late night when it’s just your drunk friends."
However, Finnerty had envisioned a more epic, late-night retooling of his career-making "Total Eclipse of the Heart" cover. He'd initially eyed recruiting original artist Bonnie Tyler on the track, but the Welsh songstress balked because of the R-rated lyrics. "It would've been such a high five moment in my life, singing with Bonnie Tyler," Finnerty says. "But she said she'd only do it if there was no swearing, and I was like, ‘What the fuck?’"
"Total Remix of the Heart" is a worthy stand-in. With all the signature "fucks" in place between a whirring EDM beat, it's the perfect way to end your wedding celebration. It'll get everyone from your ex-Marine uncle to your rural goth cousin breaking it down. But if the digital version of the Dan Band isn't enough for you — if you simply must have the real thing — you'd better have the cash.
"Every once in a while, we'll do some weddings," he says. "If people say yes to the scare-away quote that we give, I'm like, ‘Oh fuck, we have to do it.’" Finnerty refuses to disclose what that quote is ("Ah shit, I dunno, they'd have to call my agent," he says), but they've signed to play ceremonies for NFL players and other one-percenters in the past. "We went to Monaco, and there was this Persian guy, I don't know who he is, but they said he was some kind of prince or something," Finnerty says. "I thought we were the band, but we were the last band just for his buddies when they were drunk. We were on a hidden stage that was on rollers. Big reveal."
Though Finnerty says that there are "varied options" that sometimes work out logistically, the chances are that, no matter how big of a Todd Phillips fan your best man who's driving in from Brainerd is, the Dan Band won't be able to squeeze you in. That might just be a godsend, though. Having Finnerty in the flesh might just sabotage your nuptials. With their hotly irreverent stylings, the Dan Band's brand of wedding tunes are aimed at a particular subset of the invitees.
"Not everyone at the wedding is completely in love," Finnerty says. "There’s gotta be some disgruntled couples out there ... we're like the grandma’s nightmare."
Read more:beach wedding dresses uk
Friday, 3 July 2015
Two grooms may need extra help with planning a wedding
Who pays for a wedding when two grooms are involved? Who walks whom down the
aisle? While same-sex weddings are more prevalent than ever, two grooms
navigating the wedding planning process might need some extra help.
Jason Mitchell, a professional wedding planner in the New York area, said the industry is most definitely focused on females. That's why he wrote "Getting Groomed: The Ultimate Wedding Planner for Gay Grooms," offering tips for two guys trying to figure it all out.
"I think sometimes they're overwhelmed about what they have to include," said Mitchell, who married his boyfriend and now spends about half his time on the job organizing same-sex weddings. There's no one size fits all, he said, but he offers these ways to navigate trouble spots:
PAYING FOR THE WEDDING: Mitchell suggests talking openly to both sets of parents about kicking in some bucks.
Joel Bauer, a Brooklyn actor who wed his lawyer-boyfriend last October, said they took a no-pressure approach, asking their parents to decide on sums the elders felt comfortable with. The grooms made up the difference.
"It worked out great. It was split three ways," he said.
WALKING DOWN THE AISLE: The processional can be a challenge, Mitchell said. Try one of these options:
— Have parents walk first and grooms walk in together.
— Create a floor plan that allows for two aisles.

Picture:baby pink
bridesmaid dresses
— Skip the aisle by having an officiant gather everyone around both grooms after cocktails and appetizers but before dinner.
"This was one of the biggest things that we dealt with," said Bauer, who had a rustic wedding outdoors in the country in a barn refurbished as a party venue in the Catskill Mountains of upstate New York. "We wanted to make sure that one of us wasn't the bride. We wanted to make sure it was two equals, but we didn't want to walk down the aisle at the same time."
Bauer's husband, Mike Robotti, walked with his mom. Bauer's mother is dead, so he walked with his father. Who went first "didn't hold any meaning for us," he said, so Robotti went first.
THE WEDDING PARTY: Bauer and Robotti wound up with near-equal numbers of male and female loved ones to stand up at their wedding. Both genders were represented on both sides, including their two sisters.
"We called them the groomsmen and the groomsmaids," he said.
It worked out where Robotti had a best man and Bauer had two co-maids of honor.
Mitchell and his husband, Michael Zahler, didn't want to divide people on sides since many were mutual friends who are like family, so they asked them all to be their "best boys" and "groomsgirls."
FLOWERS AND COLOR THEMES: Bauer wanted to establish an autumn color palette while avoiding the seasonal trap of browns and burnt orange. The couple put the ladies in burgundy dresses and the gents in navy suits with different types of burgundy ties, while the two grooms wore gray, but not matching suits.
Bauer wore a bow tie and suspenders in a darker shade and Robotti wore three pieces. The women held yellow sunflowers and the grooms had smaller yellow flowers in their boutonnieres.
"That actually was kind of a difficult point," he said. "What do you wear as two grooms to set you apart from everyone else but still go with the color theme?"
THE RINGS: Bauer's beloved bought engagement rings. They used them when they tied the knot. The rings were complementary but not matchy matchy. Bauer's ring has two rows of black diamonds and Robotti's insets of the same stone.
"We wanted matching stones and gold but different designs," Bauer said. "I was, like, 'I've got one ring. I don't necessarily need another.'"
MAKING A STATEMENT: Mitchell encourages couples to do what feels most comfortable.
"The worst feeling is when any couple, gay or straight, going into a wedding, feels the pressure to do something that they don't feel a connection to."
For Bauer and Robotti, that meant honoring same-sex marriage as an institution. With a federal judge as their officiant, Bauer said one of their readings was a majority U.S. Supreme Court opinion that struck down a portion of the Defense of Marriage Act.
"We also took a moment of silence to recognize all of the work that people have done who came before us to make our wedding day possible," Bauer said.
Read more:cardiff wedding dresses
Jason Mitchell, a professional wedding planner in the New York area, said the industry is most definitely focused on females. That's why he wrote "Getting Groomed: The Ultimate Wedding Planner for Gay Grooms," offering tips for two guys trying to figure it all out.
"I think sometimes they're overwhelmed about what they have to include," said Mitchell, who married his boyfriend and now spends about half his time on the job organizing same-sex weddings. There's no one size fits all, he said, but he offers these ways to navigate trouble spots:
PAYING FOR THE WEDDING: Mitchell suggests talking openly to both sets of parents about kicking in some bucks.
Joel Bauer, a Brooklyn actor who wed his lawyer-boyfriend last October, said they took a no-pressure approach, asking their parents to decide on sums the elders felt comfortable with. The grooms made up the difference.
"It worked out great. It was split three ways," he said.
WALKING DOWN THE AISLE: The processional can be a challenge, Mitchell said. Try one of these options:
— Have parents walk first and grooms walk in together.
— Create a floor plan that allows for two aisles.
— Skip the aisle by having an officiant gather everyone around both grooms after cocktails and appetizers but before dinner.
"This was one of the biggest things that we dealt with," said Bauer, who had a rustic wedding outdoors in the country in a barn refurbished as a party venue in the Catskill Mountains of upstate New York. "We wanted to make sure that one of us wasn't the bride. We wanted to make sure it was two equals, but we didn't want to walk down the aisle at the same time."
Bauer's husband, Mike Robotti, walked with his mom. Bauer's mother is dead, so he walked with his father. Who went first "didn't hold any meaning for us," he said, so Robotti went first.
THE WEDDING PARTY: Bauer and Robotti wound up with near-equal numbers of male and female loved ones to stand up at their wedding. Both genders were represented on both sides, including their two sisters.
"We called them the groomsmen and the groomsmaids," he said.
It worked out where Robotti had a best man and Bauer had two co-maids of honor.
Mitchell and his husband, Michael Zahler, didn't want to divide people on sides since many were mutual friends who are like family, so they asked them all to be their "best boys" and "groomsgirls."
FLOWERS AND COLOR THEMES: Bauer wanted to establish an autumn color palette while avoiding the seasonal trap of browns and burnt orange. The couple put the ladies in burgundy dresses and the gents in navy suits with different types of burgundy ties, while the two grooms wore gray, but not matching suits.
Bauer wore a bow tie and suspenders in a darker shade and Robotti wore three pieces. The women held yellow sunflowers and the grooms had smaller yellow flowers in their boutonnieres.
"That actually was kind of a difficult point," he said. "What do you wear as two grooms to set you apart from everyone else but still go with the color theme?"
THE RINGS: Bauer's beloved bought engagement rings. They used them when they tied the knot. The rings were complementary but not matchy matchy. Bauer's ring has two rows of black diamonds and Robotti's insets of the same stone.
"We wanted matching stones and gold but different designs," Bauer said. "I was, like, 'I've got one ring. I don't necessarily need another.'"
MAKING A STATEMENT: Mitchell encourages couples to do what feels most comfortable.
"The worst feeling is when any couple, gay or straight, going into a wedding, feels the pressure to do something that they don't feel a connection to."
For Bauer and Robotti, that meant honoring same-sex marriage as an institution. With a federal judge as their officiant, Bauer said one of their readings was a majority U.S. Supreme Court opinion that struck down a portion of the Defense of Marriage Act.
"We also took a moment of silence to recognize all of the work that people have done who came before us to make our wedding day possible," Bauer said.
Read more:cardiff wedding dresses
Wednesday, 1 July 2015
Laid-Back London Wedding
Blake and Ellen wanted their wedding to be as laid back as possible for their
guests and themselves. They had their ceremony in a reconsecrated church and
their reception at 06 St Chad’s Place in Kings Cross.
“The main idea for our wedding was to have it relaxed”, the bride explained. “We just wanted everyone to have a good time and for us not to be stressed out or worried about anything but still not lose some of the traditions. For example we had our ceremony in a church but as it was reconsecrated we could have drinks and nibbles when people arrived. It was a fun start and everyone was in a good mood right from the beginning.”

“We also thought it would be fun, even though we were having a civil
ceremony, to have some ‘hymns’, but instead of religious ones we had a couple of
our favourite classic sing-alongs including Mandy by Barry Manilow and I love
you baby by Frankie Valli. We didn’t know how it would go down with the
congregation but everyone joined in and it was a particular highlight. it was
such an unforgettable moment when everyone came together and it was the perfect
start to the perfect day. It also put us both right at ease and settled our
nerves and it really was the catalyst for everyone to get into the spirit and
just have a great day.”

Picture:wedding
dresses in manchester
06 St Chad’s Place was the best possible spot for their casual and fuss-free reception. “It was such a lovely venue with high ceilings, exposed beams and lots of natural light”, Ellen continued. “We didn’t really want to mess about with it too much. We liked the idea of having a few fun props and things but didn’t want it to be too over the top and twee. We tried to just keep it a bit simple but with a few fun things. For instance we have a stuffed cockerel at home so we thought we’d bring him along and sit him in a corner! Turns out everyone loves having photos taken with a cock and he became one of the highlights of the day for many people!!”

“We had a few DIY elements like my dad painted us a picture (he’s an
incredible artist) so we had that hanging up. We also liked the idea of having
an instant camera so people could take photos on the day and then write little
messages on them. We then made a frame with some string on it so they could peg
their photos to it and it became a kind of photo message board. It’s a lovely
memento from the day and it also was great fun for everyone too – rather than
just taking photos on your phones!”
“Our biggest extravagance was probably on the photographer. It was one area we just knew it wasn’t worth trying to save a bit of money on. We Heart Pictures were fantastic and it almost felt like Hector was one of the guests! The photos capture the vibe of the day in a way you just can’t get from anything else so we’re so glad we didn’t cut corners here. We will cherish them forever.”
“We really saved on my dress though, it was vintage and £35 from Etsy! Blake’s sister also made the cake. I think ultimately we just didn’t want to waste money on things that we know we could do just as well ourselves. We only wanted to spent the money on things we knew we couldn’t do better ourselves like hair and make up, the photographer and the DJ. In total our wedding cost £8000.”
“Our advice for future couples would be to accept people’s offers of help with open arms!” Ellen concluded. “Our friends and family were all great on the day, making sure things ran smoothly and everyone just chipped in and allowed us to enjoy it. Also if things go wrong or run late, don’t worry about it! Nobody cares (or notices) if thing don’t go exactly to plan or schedule. They are there for you, and are just happy to have a good time. Keep them fed and well oiled with champagne and basically you can’t go wrong!”
Read more at:navy bridesmaid dresses uk
“The main idea for our wedding was to have it relaxed”, the bride explained. “We just wanted everyone to have a good time and for us not to be stressed out or worried about anything but still not lose some of the traditions. For example we had our ceremony in a church but as it was reconsecrated we could have drinks and nibbles when people arrived. It was a fun start and everyone was in a good mood right from the beginning.”
06 St Chad’s Place was the best possible spot for their casual and fuss-free reception. “It was such a lovely venue with high ceilings, exposed beams and lots of natural light”, Ellen continued. “We didn’t really want to mess about with it too much. We liked the idea of having a few fun props and things but didn’t want it to be too over the top and twee. We tried to just keep it a bit simple but with a few fun things. For instance we have a stuffed cockerel at home so we thought we’d bring him along and sit him in a corner! Turns out everyone loves having photos taken with a cock and he became one of the highlights of the day for many people!!”
“Our biggest extravagance was probably on the photographer. It was one area we just knew it wasn’t worth trying to save a bit of money on. We Heart Pictures were fantastic and it almost felt like Hector was one of the guests! The photos capture the vibe of the day in a way you just can’t get from anything else so we’re so glad we didn’t cut corners here. We will cherish them forever.”
“We really saved on my dress though, it was vintage and £35 from Etsy! Blake’s sister also made the cake. I think ultimately we just didn’t want to waste money on things that we know we could do just as well ourselves. We only wanted to spent the money on things we knew we couldn’t do better ourselves like hair and make up, the photographer and the DJ. In total our wedding cost £8000.”
“Our advice for future couples would be to accept people’s offers of help with open arms!” Ellen concluded. “Our friends and family were all great on the day, making sure things ran smoothly and everyone just chipped in and allowed us to enjoy it. Also if things go wrong or run late, don’t worry about it! Nobody cares (or notices) if thing don’t go exactly to plan or schedule. They are there for you, and are just happy to have a good time. Keep them fed and well oiled with champagne and basically you can’t go wrong!”
Read more at:navy bridesmaid dresses uk
Saturday, 27 June 2015
The N.B.A. Draft Needs a Men’s Wear Makeover
When did we decide that elite male athletes were exempt from the normal rules
of dress? That, in fact, the more ridiculous and outré they look, the
better?
And why do we assume that “personality,” when it comes to sports, needs to be expressed in bad clothes? That the way to a lucrative sports brand ambassadorship or a clothing line of one’s own comes from wearing garish color combinations, prints and silly accessories?
These are not desultory questions. They are, I would argue, rather natural reactions to what has become one of the more bizarre style rituals of summer: the men’s wear show that is the N.B.A. draft.
What else to make of Karl-Anthony Towns’s herringbone jacket and black shirt and pants? D’Angelo Russell’s red jacket, checked shirt and bow tie? Rondae Hollis-Jefferson’s tux, black bow tie and tartan trousers? The mountain of maroon on Kristaps Porzingis, Kelly Oubre Jr., Bobby Portis and Jahlil Okafor?
These men are being crowned as the next generation of sports royalty, yet at the Barclays Center in Brooklyn on Thursday, they were dressed like refugees from a Broadway show (“Jersey Boys” anyone?). Except, of course, for Cameron Payne, who, with his navy double-breasted jacket, white trousers and gardenia boutonniere, looked like he had dropped in from the yacht club. Given that the Tony Awards have had a well-documented makeover, you have to wonder what they were thinking.
N.B.A. Commissioner Adam Silver with Cameron Payne, who, with his navy double-breasted jacket, white trousers and gardenia boutonnier, looked as if he had dropped in from the yacht club. Credit Kathy Willens/Associated Press
Admittedly, Justise Winslow, who was outfitted by GQ in a well-cut blue suit, looked smooth, but he was the exception, rather than the rule.
So what is this all about?

(Picture:tea length
wedding dresses)
I would guess two things: social media and branding.
On Instagram, Facebook, YouTube and other visual media, the crazier you look and the brighter the shades, the more memorable the moment. And given the number of fans spread across the country and experiencing the draft remotely, it’s probably in the interest of most ascending athletes to stand out. For good or ill, taste becomes of secondary importance.
Justise Winslow, who was outfitted by GQ, and D’Angelo Russell in a red jacket, checked shirt and bow tie. Credit Kathy Willens/Associated Press
It’s the sport equivalent of the naked look, as practiced by celebrities such as Beyoncé, Jennifer Lopez and Rihanna.
At the same time, fashion has become a default second-career flirtation for many basketball players, whether Carmelo Anthony (who has his own watch blog), Russell Westbrook (who is about to start an eyewear line) or Amar’e Stoudemire (who is in Paris this week, covering the men’s wear shows on Instagram for Esquire). And presumably, the sooner you establish your interest, the better. Attention-grabbing looks are a way of laying the groundwork; strategic suggestion that a player is thinking about more than just the court.
Yet all this dress-up seems to me to distract from the purpose of the moment, and the real skill being celebrated (and signed). That belongs to the men in the costumes, and it is both subtle and elegant: an ability to understand space and geometry and manipulate a ball in ways that are as complex and exact as the seams in a perfectly made suit.
So shouldn’t they wear the clothes to match? The best suits are the ones that act as a background to the persona inside, and which frame the, well, frame to its ultimate advantage.
I can’t imagine designers wouldn’t be eager to dress the top N.B.A. prospects in such style. Just because things have developed in a certain way does not mean we should simply shrug and assume they always have to be that way. Or should be that way. Think of what last night might have looked like if Tom Ford, Ralph Lauren and Giorgio Armani had been involved.
See more at:backless wedding dresses
And why do we assume that “personality,” when it comes to sports, needs to be expressed in bad clothes? That the way to a lucrative sports brand ambassadorship or a clothing line of one’s own comes from wearing garish color combinations, prints and silly accessories?
These are not desultory questions. They are, I would argue, rather natural reactions to what has become one of the more bizarre style rituals of summer: the men’s wear show that is the N.B.A. draft.
What else to make of Karl-Anthony Towns’s herringbone jacket and black shirt and pants? D’Angelo Russell’s red jacket, checked shirt and bow tie? Rondae Hollis-Jefferson’s tux, black bow tie and tartan trousers? The mountain of maroon on Kristaps Porzingis, Kelly Oubre Jr., Bobby Portis and Jahlil Okafor?
These men are being crowned as the next generation of sports royalty, yet at the Barclays Center in Brooklyn on Thursday, they were dressed like refugees from a Broadway show (“Jersey Boys” anyone?). Except, of course, for Cameron Payne, who, with his navy double-breasted jacket, white trousers and gardenia boutonniere, looked like he had dropped in from the yacht club. Given that the Tony Awards have had a well-documented makeover, you have to wonder what they were thinking.
N.B.A. Commissioner Adam Silver with Cameron Payne, who, with his navy double-breasted jacket, white trousers and gardenia boutonnier, looked as if he had dropped in from the yacht club. Credit Kathy Willens/Associated Press
Admittedly, Justise Winslow, who was outfitted by GQ in a well-cut blue suit, looked smooth, but he was the exception, rather than the rule.
So what is this all about?
I would guess two things: social media and branding.
On Instagram, Facebook, YouTube and other visual media, the crazier you look and the brighter the shades, the more memorable the moment. And given the number of fans spread across the country and experiencing the draft remotely, it’s probably in the interest of most ascending athletes to stand out. For good or ill, taste becomes of secondary importance.
Justise Winslow, who was outfitted by GQ, and D’Angelo Russell in a red jacket, checked shirt and bow tie. Credit Kathy Willens/Associated Press
It’s the sport equivalent of the naked look, as practiced by celebrities such as Beyoncé, Jennifer Lopez and Rihanna.
At the same time, fashion has become a default second-career flirtation for many basketball players, whether Carmelo Anthony (who has his own watch blog), Russell Westbrook (who is about to start an eyewear line) or Amar’e Stoudemire (who is in Paris this week, covering the men’s wear shows on Instagram for Esquire). And presumably, the sooner you establish your interest, the better. Attention-grabbing looks are a way of laying the groundwork; strategic suggestion that a player is thinking about more than just the court.
Yet all this dress-up seems to me to distract from the purpose of the moment, and the real skill being celebrated (and signed). That belongs to the men in the costumes, and it is both subtle and elegant: an ability to understand space and geometry and manipulate a ball in ways that are as complex and exact as the seams in a perfectly made suit.
So shouldn’t they wear the clothes to match? The best suits are the ones that act as a background to the persona inside, and which frame the, well, frame to its ultimate advantage.
I can’t imagine designers wouldn’t be eager to dress the top N.B.A. prospects in such style. Just because things have developed in a certain way does not mean we should simply shrug and assume they always have to be that way. Or should be that way. Think of what last night might have looked like if Tom Ford, Ralph Lauren and Giorgio Armani had been involved.
See more at:backless wedding dresses
Wednesday, 24 June 2015
How To Get Ordained To Perform A Wedding Legally — Because This Is One Thing You Don't Want To Mess Up
OK, first thing’s first: there are a lot of different terms that fly around
when it comes towho can officiate weddings, and how to get ordained yourself.
Let’s get the basics out of the way about who can do the marriage deed. A clergy
person (minister, priest, rabbi, etc.) is someone who is ordained by a religious
organization to marry two people. A judge, notary public, justice of the peace,
and certain other public servants often solemnize marriages as part of their job
responsibilities. A temporary officiant is someone who is given the legal thumbs
up for a day by a state to marry two people.
If you’re looking into how to marry a friend or relative, you’re probably most interested in either 1) becoming ordained, or 2) being a temporary officiant. As in all things of legal importance when it comes to marriage (like getting your marriage license), the regulations for performing a legal marriage ceremony vary from state to state. I won’t attempt to summarize the ins and outs of all the variations of the 50 states here, as the differences are mind-boggling crazy (more on this to come), but here are the basics to get you started, and confidently headed in the right direction.
Know the state requirements
As always when it comes to marriage, check out the requirements in the state and county where you are going to be performing the marriage ceremony. In some states, the laws are much clearer and stricter, while in other states things can be a little loosey goosey. Either way, you want to know what the requirements are wherever you’re performing the ceremony.
Get the necessary documents in place
If you need to get the government’s OK to perform the ceremony by becoming a temporary officiant or getting a one-day marriage designation, then that’s the most important thing to do. Any marriage ceremonies performed without the appropriate paperwork in a state that requires that it approves temporary officiants may be considered… well… null and void. So make sure to do your due diligence to see if it is necessary to be approved by the state to marry two people and, if so, what that process is.

(Picture:plus size
wedding dress)
In some states, you don’t need government documents to marry people — you can be ordained by a religious organization instead. Though this sounds rather complicated, it can actually be the least complicated of all the ways to go about marrying a friend or relative in some states. Organizations like the Universal Life Church Monastery and the American Marriage Ministries will ordain people who want to perform a marriage ceremony with a few clicks of the mouse. With that said, some states require that an ordained minister actually have a ministry or congregation to legally marry people — so again, know what your state does and doesn’t require.
If the people you are marrying are interested in having a spiritual or religious component to their ceremony but live in a state where you need to have a state-approved, one-day marriage designation, then you could likely do both — become a temporary officiant and an ordained minster. Though it sounds rather complicated to tackle both, the states I have worked in make it pretty simple to get a one-day marriage designation, and the Universal Life Church Monastery and American Marriage Ministries make it insanely simple to become ordained as a minister.
To recap, check in with the state you are performing the ceremony in to see if you need to be approved as a temporary officiant (or something similar), and/or if you should take the route of becoming ordained as a minister. And to re-emphasize just how important it is to know your state regulations, just consider this: according to this list of recognized marriage officiants by state, commissioners of the Salvation Army are approved to perform marriage ceremonies in Alaska (seems a bit random, eh?), while in Wisconsin you and your future spouse can officiate your own ceremony (and I’m still not totally clear on how that one works).
So make your next online research stop the state’s official website of where you are going to marry the couple, and then move on to the fun stuff like what to talk about during the marriage ceremony… and what not to talk about during the marriage ceremony. Most importantly, keep calm and marry on!
Read more at:http://www.sheinbridaldress.co.uk/blue-bridesmaid-dresses
If you’re looking into how to marry a friend or relative, you’re probably most interested in either 1) becoming ordained, or 2) being a temporary officiant. As in all things of legal importance when it comes to marriage (like getting your marriage license), the regulations for performing a legal marriage ceremony vary from state to state. I won’t attempt to summarize the ins and outs of all the variations of the 50 states here, as the differences are mind-boggling crazy (more on this to come), but here are the basics to get you started, and confidently headed in the right direction.
Know the state requirements
As always when it comes to marriage, check out the requirements in the state and county where you are going to be performing the marriage ceremony. In some states, the laws are much clearer and stricter, while in other states things can be a little loosey goosey. Either way, you want to know what the requirements are wherever you’re performing the ceremony.
Get the necessary documents in place
If you need to get the government’s OK to perform the ceremony by becoming a temporary officiant or getting a one-day marriage designation, then that’s the most important thing to do. Any marriage ceremonies performed without the appropriate paperwork in a state that requires that it approves temporary officiants may be considered… well… null and void. So make sure to do your due diligence to see if it is necessary to be approved by the state to marry two people and, if so, what that process is.
In some states, you don’t need government documents to marry people — you can be ordained by a religious organization instead. Though this sounds rather complicated, it can actually be the least complicated of all the ways to go about marrying a friend or relative in some states. Organizations like the Universal Life Church Monastery and the American Marriage Ministries will ordain people who want to perform a marriage ceremony with a few clicks of the mouse. With that said, some states require that an ordained minister actually have a ministry or congregation to legally marry people — so again, know what your state does and doesn’t require.
If the people you are marrying are interested in having a spiritual or religious component to their ceremony but live in a state where you need to have a state-approved, one-day marriage designation, then you could likely do both — become a temporary officiant and an ordained minster. Though it sounds rather complicated to tackle both, the states I have worked in make it pretty simple to get a one-day marriage designation, and the Universal Life Church Monastery and American Marriage Ministries make it insanely simple to become ordained as a minister.
To recap, check in with the state you are performing the ceremony in to see if you need to be approved as a temporary officiant (or something similar), and/or if you should take the route of becoming ordained as a minister. And to re-emphasize just how important it is to know your state regulations, just consider this: according to this list of recognized marriage officiants by state, commissioners of the Salvation Army are approved to perform marriage ceremonies in Alaska (seems a bit random, eh?), while in Wisconsin you and your future spouse can officiate your own ceremony (and I’m still not totally clear on how that one works).
So make your next online research stop the state’s official website of where you are going to marry the couple, and then move on to the fun stuff like what to talk about during the marriage ceremony… and what not to talk about during the marriage ceremony. Most importantly, keep calm and marry on!
Read more at:http://www.sheinbridaldress.co.uk/blue-bridesmaid-dresses
Friday, 19 June 2015
Preparing for Your Wedding Day
Diet & Exercise:
They say that it is the most important day in your life and it takes a year and long to plan it well. And that the patience runs thin, but there is always an excitement in the air. While there is huge hue and cry about the day itself with a lot of advice from everyone around, very little is circulated about pre and post wedding period. While the whole process of wedding can’t be less overwhelming but one should be best prepared to deal with it and it starts right away with the diet and exercise.
Well, there are very few women who are entirely happy with their looks. Most of us can identify at least one spot in our body that we feel needs some modification.
Being unfit and out of shape is always a hard blow to self-esteem which causes unhappiness, irritability and negativity around you and your loved ones. We should respect our bodies and learn to be healthy and enhance what is best in us.
One should give at least three weeks to target your problem areas. Be totally realistic with your goal. Dieting combined with exercise is bound to give you good results. But don’t go for crash dieting. It can ruin your skin and hair. You need to glow on your wedding day, not look like you have come out of concentration camp.
Eat good and sensibly. It is said breakfast like a king, lunch like a prince and dinner like a pauper. Eat a lot of fresh fruits and vegetables. Drink at least 2-3 liters of water per day and start your day by drinking a glass of water. This flushes toxins from your body and hydrates your skin. Eat less fatty food. Cut down on salt, sugar and cold drink consumption. Drink a glass of skimmed milk every day. Eat in moderation and avoid second helping just because you liked the dish. Do not use skimming pills or laxatives because they upset body’s natural equilibrium.
While controlling your diet, always do brisk walking for at least 15-20 minutes a day anytime either morning or evening or even before going to bed; timing is not important, and don’t stop just because you cheated once. When you lose weight, it comes off from all along. This is where exercise comes in handy. Go for abs exercise, crunches and yoga at this point. You will feel healthy and toned up and will have a good stamina.
You should work out not just to lose weight but to stay healthy, which is important not only for you but also for your loved ones.
Hair care:
Some lucky brides-to-be are blessed with thick and beautiful tresses and some are not. No matter what sort of hair you have, the common goal is the health and preservation of your precious hair. However, the stress and pollution results in damage of hair. Since during the events of wedding, a lot of stress is put on hair because of various fancy hair styles, it takes its toll on your hair. So if you still have some time in your hand, start pampering your hair for the assault it will be facing in the near future. For proper hair care, you should take the following steps:

Picture:wedding dresses
1. The health of your hair is the refection of your diet. You diet should contain an adequate supply of proteins in the form of fish, lean meat, eggs, milk, pulses etc. Whole grain foods and those with natural oils are good for the formation of hair keratin.
2. Exercise and Head massage improves blood circulation, encouraging a healthy blood supply to all the cells nourishing, regenerating and repairing them. Weekly hot oil massages with strengthening packs made of amla, yogurt, eggs and lemon are like food for the hair.
3. Protein hair treatments help to retain natural moisture balance of hair and should be done once in a month.
4. Hair Serums, which are available in spray or gel form, should be applied before ironing or blow drying. They protect hair from excessive heat.
5. Lastly, during this whole period, keep your hair clean by shampooing your hair regularly and use a good quality hair conditioner after each wash.
Skin Care:
It is an important aspect of wedding day preparation. A bride should have a glowing and clear skin. The preparation should start one month before wedding and the process should start with deep cleansing of your skin.
1. Deep Cleansing: It is essential for the health of your skin. It is important to ensure that your skin is clear of dead skin, dirt and make up to give it a natural glow. A cotton wool damped in a creamy cleanser followed by a gentle face wash should do the trick. If the face still feels oily, wipe with a toner poured on a cotton wool ball.
2. Protection: Protection of skin from sun is very important. Besides giving a tan, it is responsible for freckles, pigmentation and premature wrinkles due to constant exposure. No matter which month you are getting married in, start protecting your skin now. Sunscreen should be used all year round and every day.
3. Deep moisturizing: After learning about your skin type, a good moisturizer should be used on face, hands, arms, legs and feet. Face masks should be used twice every week to add boost to your skin. Those with dry skin can use non-drying hydrated masks or add some olive oil to regular masks. Those with oily skin can stick to clay based masks, aloe, neem and mint products.
4. Boost circulation: The use of exfoliators or scrubs twice every week increases circulation to the top most layer of skin which gives a flow to the skin and encourages cell renewal. Pamper your skin with regular facials. They are like food for the skin. There are a range of facials available to suite a particular skin type and also address any skin ailment. Facials should be done or regular basis well in advance since it is not possible to obtain a desired effect in a few days time. Although most of the attention is given to face and neck, whole body should not be ignored. Body massages alter the quality of your skin by removing dead cells and revealing newer, smoother skin and also relieves you of any stress.
Grooming: You should not ignore grooming before the big day arrives.
Waxing: Go for waxing for arms and legs for most efficient and long lasting results. It will also decrease your hair growth with time.
Threading: The shape of your eyebrows is very important. They frame the shape of your eyes and give sharpness to your features.
Before application of henna, manicure and pedicure are important.
At last, don’t stress and take it easy. Have a great wedding and a beautiful life ahead.
See more at:sheinbridal bridesmaid dresses
They say that it is the most important day in your life and it takes a year and long to plan it well. And that the patience runs thin, but there is always an excitement in the air. While there is huge hue and cry about the day itself with a lot of advice from everyone around, very little is circulated about pre and post wedding period. While the whole process of wedding can’t be less overwhelming but one should be best prepared to deal with it and it starts right away with the diet and exercise.
Well, there are very few women who are entirely happy with their looks. Most of us can identify at least one spot in our body that we feel needs some modification.
Being unfit and out of shape is always a hard blow to self-esteem which causes unhappiness, irritability and negativity around you and your loved ones. We should respect our bodies and learn to be healthy and enhance what is best in us.
One should give at least three weeks to target your problem areas. Be totally realistic with your goal. Dieting combined with exercise is bound to give you good results. But don’t go for crash dieting. It can ruin your skin and hair. You need to glow on your wedding day, not look like you have come out of concentration camp.
Eat good and sensibly. It is said breakfast like a king, lunch like a prince and dinner like a pauper. Eat a lot of fresh fruits and vegetables. Drink at least 2-3 liters of water per day and start your day by drinking a glass of water. This flushes toxins from your body and hydrates your skin. Eat less fatty food. Cut down on salt, sugar and cold drink consumption. Drink a glass of skimmed milk every day. Eat in moderation and avoid second helping just because you liked the dish. Do not use skimming pills or laxatives because they upset body’s natural equilibrium.
While controlling your diet, always do brisk walking for at least 15-20 minutes a day anytime either morning or evening or even before going to bed; timing is not important, and don’t stop just because you cheated once. When you lose weight, it comes off from all along. This is where exercise comes in handy. Go for abs exercise, crunches and yoga at this point. You will feel healthy and toned up and will have a good stamina.
You should work out not just to lose weight but to stay healthy, which is important not only for you but also for your loved ones.
Hair care:
Some lucky brides-to-be are blessed with thick and beautiful tresses and some are not. No matter what sort of hair you have, the common goal is the health and preservation of your precious hair. However, the stress and pollution results in damage of hair. Since during the events of wedding, a lot of stress is put on hair because of various fancy hair styles, it takes its toll on your hair. So if you still have some time in your hand, start pampering your hair for the assault it will be facing in the near future. For proper hair care, you should take the following steps:
1. The health of your hair is the refection of your diet. You diet should contain an adequate supply of proteins in the form of fish, lean meat, eggs, milk, pulses etc. Whole grain foods and those with natural oils are good for the formation of hair keratin.
2. Exercise and Head massage improves blood circulation, encouraging a healthy blood supply to all the cells nourishing, regenerating and repairing them. Weekly hot oil massages with strengthening packs made of amla, yogurt, eggs and lemon are like food for the hair.
3. Protein hair treatments help to retain natural moisture balance of hair and should be done once in a month.
4. Hair Serums, which are available in spray or gel form, should be applied before ironing or blow drying. They protect hair from excessive heat.
5. Lastly, during this whole period, keep your hair clean by shampooing your hair regularly and use a good quality hair conditioner after each wash.
Skin Care:
It is an important aspect of wedding day preparation. A bride should have a glowing and clear skin. The preparation should start one month before wedding and the process should start with deep cleansing of your skin.
1. Deep Cleansing: It is essential for the health of your skin. It is important to ensure that your skin is clear of dead skin, dirt and make up to give it a natural glow. A cotton wool damped in a creamy cleanser followed by a gentle face wash should do the trick. If the face still feels oily, wipe with a toner poured on a cotton wool ball.
2. Protection: Protection of skin from sun is very important. Besides giving a tan, it is responsible for freckles, pigmentation and premature wrinkles due to constant exposure. No matter which month you are getting married in, start protecting your skin now. Sunscreen should be used all year round and every day.
3. Deep moisturizing: After learning about your skin type, a good moisturizer should be used on face, hands, arms, legs and feet. Face masks should be used twice every week to add boost to your skin. Those with dry skin can use non-drying hydrated masks or add some olive oil to regular masks. Those with oily skin can stick to clay based masks, aloe, neem and mint products.
4. Boost circulation: The use of exfoliators or scrubs twice every week increases circulation to the top most layer of skin which gives a flow to the skin and encourages cell renewal. Pamper your skin with regular facials. They are like food for the skin. There are a range of facials available to suite a particular skin type and also address any skin ailment. Facials should be done or regular basis well in advance since it is not possible to obtain a desired effect in a few days time. Although most of the attention is given to face and neck, whole body should not be ignored. Body massages alter the quality of your skin by removing dead cells and revealing newer, smoother skin and also relieves you of any stress.
Grooming: You should not ignore grooming before the big day arrives.
Waxing: Go for waxing for arms and legs for most efficient and long lasting results. It will also decrease your hair growth with time.
Threading: The shape of your eyebrows is very important. They frame the shape of your eyes and give sharpness to your features.
Before application of henna, manicure and pedicure are important.
At last, don’t stress and take it easy. Have a great wedding and a beautiful life ahead.
See more at:sheinbridal bridesmaid dresses
Tuesday, 16 June 2015
Australian wins 2015 Tropic Beauty Model Search at Light
There she is … the 2015 Miss Tropic Beauty Model Search world finals
winner.
After three days of competition on the Las Vegas Strip, a victor was crowned in the 2015 Tropic Beauty Model Search world finals at Light in Mandalay Bay on Saturday night.
In the fifth-annual pageant that included more than 100 contestants from across the globe, voluptuous blonde bombshell Elise Duncan of Perth, Australia, was declared the winner.
The competition also included a preliminary contest at nearby daylife hotspot Daylight. Luisa de Freitas of Caracas, Venezuela, finished second, and Debbie O’Toole of Liverpool, England, was third. Three bikini-clad ladies from Las Vegas made the Top 10.
2014 Miss Tropic Beauty Elizabeth Smith of Jacksonville, Fla., presented the crown onstage at Light to Duncan, who was overcome with emotion.

Picture:backless
wedding dress
Also present and accounted for at the nightclub: 2013 Miss Tropic Beauty Linda Zimany of Budapest, Hungary, and 2012 Miss Tropic Beauty Ligia Hernandez of Margarita (we love the name of this city), Venezuela.
Our coverage of the Tropic Beauty parade of costumes at Eye Candy Lounge in Mandalay Bay was posted Friday in our weekly Weekend Celebrity Preview.
Our thanks to Tom Donoghue of Donoghue Photography for his Tropic Beauty Model Search photo galleries and Richard Corey for his video posted on YouTube.
Don Chareunsy is the Las Vegas Sun’s entertainment and luxury senior editor and has been a journalist for nearly two decades.
Robin Leach of “Lifestyles of the Rich & Famous fame” has been a journalist for more than 50 years and has spent the past 15 years giving readers the inside scoop on Las Vegas, the world’s premier platinum playground.
See more at:sheinbridaldress wedding dresses
After three days of competition on the Las Vegas Strip, a victor was crowned in the 2015 Tropic Beauty Model Search world finals at Light in Mandalay Bay on Saturday night.
In the fifth-annual pageant that included more than 100 contestants from across the globe, voluptuous blonde bombshell Elise Duncan of Perth, Australia, was declared the winner.
The competition also included a preliminary contest at nearby daylife hotspot Daylight. Luisa de Freitas of Caracas, Venezuela, finished second, and Debbie O’Toole of Liverpool, England, was third. Three bikini-clad ladies from Las Vegas made the Top 10.
2014 Miss Tropic Beauty Elizabeth Smith of Jacksonville, Fla., presented the crown onstage at Light to Duncan, who was overcome with emotion.
Also present and accounted for at the nightclub: 2013 Miss Tropic Beauty Linda Zimany of Budapest, Hungary, and 2012 Miss Tropic Beauty Ligia Hernandez of Margarita (we love the name of this city), Venezuela.
Our coverage of the Tropic Beauty parade of costumes at Eye Candy Lounge in Mandalay Bay was posted Friday in our weekly Weekend Celebrity Preview.
Our thanks to Tom Donoghue of Donoghue Photography for his Tropic Beauty Model Search photo galleries and Richard Corey for his video posted on YouTube.
Don Chareunsy is the Las Vegas Sun’s entertainment and luxury senior editor and has been a journalist for nearly two decades.
Robin Leach of “Lifestyles of the Rich & Famous fame” has been a journalist for more than 50 years and has spent the past 15 years giving readers the inside scoop on Las Vegas, the world’s premier platinum playground.
See more at:sheinbridaldress wedding dresses
Saturday, 13 June 2015
Brides-to-be, classic car enthusiasts flock downtown
Beverly Morris tried on a wedding dress with help from her friend, Lindsay
Hinson.
“We came down here to see what’s going on and to get ideas for her wedding,” said Hinson at Satin & Lace. “We saw a flier for the Downtown Bridal Fair.”
The Bridal Fair, held Saturday, was the latest First Saturday event sponsored by the Albemarle Downtown Business Association. The June focus was on weddings and included a cruise-in of classic cars.
Also known as “I Do Local,” the event encouraged downtown shops to showcase wedding gowns and accessories, allow brides to set up gift registrations and offer discounts and gift certificates.
“The goal is to have an event each first Saturday of the month to bring people downtown,” said Victoria Sites, communications manager for Albemarle Downtown Development Corporation.
Besides keeping stores open longer on Saturday afternoon, First Saturday provides activities, such as the cruise-in and music at the square.

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“It’s a way to bring night life to town,” Sites said of the First Saturday events.
Tim Harris of Music on Main brought some of his students to the bandstand to perform. Among them were singer Reagan Crump and guitarist Emery Culp, who made music with Harris in front of folks sitting on benches under the shade trees.
At the cruise-in, where vehicles were parked in the lot behind the square, people came to see antique models, muscle cars and at least one hybrid.
Darrell Story of Millingport parked his extra-long truck on the street since he was afraid he could not get it turned back out of the parking lot. He said his vehicle has a 1949 Chevrolet front end and ‘53 parts, all on a 1996 Cadillac limousine chassis.
“It gets a lot of funny looks,” said Story, causing some drivers to forget where they are going.
Bob Morrison of Albemarle had his 1959 baby blue Rambler American on display. He said he has owned it for more than 20 years, having taken an auto body course at Stanly Community College to be able to fix it up.
“I just drive it to shows and to cruise-ins now,” he said.
Other cars catching people’s eyes included a 1967 Volkswagen Beetle, a bright blue 1948 Chevy Fleetmaster, a 1981 Corvette and a 1964 Chevy Nova.
David Summerlin of Badin said his Beetle was the first VW model with a 12-volt electrical system. Under the hood was a scale model of the ‘67.
Stone Russell of Albemarle owns the Fleetmaster, Boyd Furr of Millingport brought the Corvette and Jake McDaniel, also of Millingport, drove the Nova to the cruise-in.
Meanwhile, down the street at Satin & Lace, proprietor Linda Dennis was assisting Morris, who will marry Hank Dry next April. Dennis carries a full line of wedding and bridesmaid gowns, party dresses and accessories. She also rents tuxedoes.
“We’ve been through a busy period from February to May, mostly proms,” she said.
Read more at:wedding dresses 2014
“We came down here to see what’s going on and to get ideas for her wedding,” said Hinson at Satin & Lace. “We saw a flier for the Downtown Bridal Fair.”
The Bridal Fair, held Saturday, was the latest First Saturday event sponsored by the Albemarle Downtown Business Association. The June focus was on weddings and included a cruise-in of classic cars.
Also known as “I Do Local,” the event encouraged downtown shops to showcase wedding gowns and accessories, allow brides to set up gift registrations and offer discounts and gift certificates.
“The goal is to have an event each first Saturday of the month to bring people downtown,” said Victoria Sites, communications manager for Albemarle Downtown Development Corporation.
Besides keeping stores open longer on Saturday afternoon, First Saturday provides activities, such as the cruise-in and music at the square.
“It’s a way to bring night life to town,” Sites said of the First Saturday events.
Tim Harris of Music on Main brought some of his students to the bandstand to perform. Among them were singer Reagan Crump and guitarist Emery Culp, who made music with Harris in front of folks sitting on benches under the shade trees.
At the cruise-in, where vehicles were parked in the lot behind the square, people came to see antique models, muscle cars and at least one hybrid.
Darrell Story of Millingport parked his extra-long truck on the street since he was afraid he could not get it turned back out of the parking lot. He said his vehicle has a 1949 Chevrolet front end and ‘53 parts, all on a 1996 Cadillac limousine chassis.
“It gets a lot of funny looks,” said Story, causing some drivers to forget where they are going.
Bob Morrison of Albemarle had his 1959 baby blue Rambler American on display. He said he has owned it for more than 20 years, having taken an auto body course at Stanly Community College to be able to fix it up.
“I just drive it to shows and to cruise-ins now,” he said.
Other cars catching people’s eyes included a 1967 Volkswagen Beetle, a bright blue 1948 Chevy Fleetmaster, a 1981 Corvette and a 1964 Chevy Nova.
David Summerlin of Badin said his Beetle was the first VW model with a 12-volt electrical system. Under the hood was a scale model of the ‘67.
Stone Russell of Albemarle owns the Fleetmaster, Boyd Furr of Millingport brought the Corvette and Jake McDaniel, also of Millingport, drove the Nova to the cruise-in.
Meanwhile, down the street at Satin & Lace, proprietor Linda Dennis was assisting Morris, who will marry Hank Dry next April. Dennis carries a full line of wedding and bridesmaid gowns, party dresses and accessories. She also rents tuxedoes.
“We’ve been through a busy period from February to May, mostly proms,” she said.
Read more at:wedding dresses 2014
Thursday, 11 June 2015
American Ballet Theatre’s New ‘Sleeping Beauty’ Pays Homage to Ballet’s History
The plot of Sleeping Beauty isn’t hard to follow, even when it’s performed as
a ballet, without any words: A princess is born, and an evil fairy soon puts a
curse on her—Aurora will prick her finger with a spindle and die. A kind fairy
softens the curse, declaring that the princess will simply fall into a
century-long slumber along with her entire kingdom. On her 16th birthday, Aurora
dances with four royal suitors seeking her hand in marriage before she finds the
destined spindle and falls asleep. A hundred years later, the kind Lilac Fairy
shows a restless prince a vision of Aurora in the forest. He falls in love and
bestows upon Aurora the kiss that awakens the kingdom. The fairy tale ends with
the couple’s festive wedding.
After the ballet's premiere in St. Petersburg in 1890, one critic complained thus about the bare story line: “They dance, they fall asleep, they dance again.”
Nevertheless, it has been staged and restaged a seemingly endless number of times all over the world, sometimes even multiple times by the same company. And though the fairy tale is simple, producing the ballet is not. Some versions have been docked or dismissed by critics for falling short of the original collaboration between ballet master Marius Petipa, the renowned composer Pyotr Ilyich Tchaikovsky and Imperial Theatres director Ivan Vsevolozhsky. Others have been praised for capturing the spirit of the iconic work, which looms large in ballet history.
American Ballet Theatre alone has had four productions since the company was founded in 1940, according to its program notes. Its third full version premiered at the Metropolitan Opera House in New York City on June 1, 2007, and it was staged after Petipa by ABT’s artistic director Kevin McKenzie along with Gelsey Kirkland and Michael Chernov.
“How does a ballerina solve a problem like Aurora?” wrote Gia Kourlas in The New York Times in her review dated June 12, 2007. “It’s no easy task, especially when she is held captive by a production as muddled as American Ballet Theater’s busy, dramaturge-heavy version of The Sleeping Beauty.”
Alastair Macaulay, who had stepped into the post of chief dance critic at theTimes earlier that year, called it “Disneyesque,” “scarcely a production for purists,” and one that “isn’t hidebound by custom.” He described the pastiche of a Sleeping Beauty “as seen through the lens of various movies,” from Lord of the Rings and Harry Potter to The Court Jester and The Wizard of Oz. He faulted the production for the way it treated Tchaikovsky’s score and for relying on Petipa’s choreography in bits and pieces without understanding the overall architecture that ties it all together.
A fourth version recently replaced that “misbegotten 2007–2013 production,” as Macaulay dubbed it, and this one did all it could to pay homage to the ballet’s roots. Alexei Ratmansky’s new production—which premiered in Costa Mesa, California, in March and began its New York run on May 28—is vastly different from the transformation he bestowed upon The Nutcracker in 2010. His Nutcracker was reimagined, but his Beauty is “reawakened.”
Ratmansky and designer Richard Hudson focused on two important productions in the quest to peel back the trappings of later versions and return to the essence of Beauty. The choreographer learned to read Stepanov notation—used to record ballets like a musical score—and studied records of Petipa’s choreography. Nikolai Sergeev brought these notations from Russia to the West after the revolution, where they eventually became part of the Harvard Theatre Collection.
Meanwhile, Hudson looked to Léon Bakst for inspiration. Bakst designed costumes and sets for the production by Sergei Diaghilev’s Ballets Russes, which premiered at London’s Alhambra Theatre in 1921. Social and dance historian Caroline Hamilton was hired to do research for Ratmansky and Hudson, tracking down the original designs and costumes from the 1921Beauty, which planted the ballet in the foundation of British tradition and which in turn helped make the ballet a favorite across the pond.
So the ballet was originally choreographed by a French expatriate ballet master living in St. Petersburg to music by a renowned Russian composer at the end of the 19th century. Three decades later, a Russian impresario, having left his home country after the revolution, put up an iconic version of the same ballet in London. Now, more than a hundred years after it first appeared onstage, its latest iteration is staged by a Russian choreographer working as artist in residence for a company that boasts “American” in its title.
If The Sleeping Beauty’s creation and evolution sound layered, that’s because they are, and intrinsically so. The ballet represents the shifting center of the art form from France to Russia and the arrival of the classical era after the romantic. In the 20th century, it was part of the birth of ballet traditions in England and the U.S. that simultaneously embraced a classical history and invented a new contemporary. And just as importantly, it marks a leap in the quality of music used for ballet. This one work, in other words, is a window into much of ballet’s history.

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“It is doubtful that any other art work, ever, has influenced its own field so heavily,” wrote Joan Acocella this month in The New Yorker.
The ballet has often been evaluated, then, by its relationship to earlier productions, especially that of 1890. ABT’s first full-length staging, which featured Natalia Makarova and Mikhail Baryshnikov as Aurora and the prince, premiered on June 15, 1976. Then-Times critic Clive Barnes wrote:
Most recently, Macaulay called Ratmansky’s Beauty “a fascinating, important staging— often revelatory.… Its dances are an amazingly conscientious demonstration of Petipa’s original intentions.”
Choreographers, too, have set their sights on recreating that original opus. In staging ABT’s second version—which premiered on February 11, 1987 in Chicago—Sir Kenneth MacMillian said, “I want to pass on my knowledge of Sergeyev's production of Petipa, for I think it was truly magical.”
Ratmansky also reveled in Petipa’s work. “It’s constant amazement,” he told the Times as he was preparing for the Costa Mesa premiere. “I’ve learned more about Petipa in these last three months than I learned in my whole life—his phenomenal mastery of the craft, finding the threads he follows from the beginning to the end.”
But Sleeping Beauty is not only rich in history. It’s also an easy entry point for those less familiar and mildly intimidated by ballet. People are “drawn to story ballets as a first time to go,” says Hamilton. And like the other late 19th century works that have survived and become household names—The Nutcracker and Swan Lake—it’s also set to music by Tchaikovsky that is familiar far beyond devoted dance circles.
“The key to the ballet’s enduring appeal,” writes Jennifer Homans in her 2010 book Apollo’s Angels: A History of Ballet, “was Tchaikovsky. It is a point worth emphasizing: Tchaikovsky was the first composer of real stature to see ballet as a substantial art, and his music lifted dance onto a new plane.” Previously, composers like Adolphe Adam (Giselle) and Ludwig Minkus (Don Quixote), produced “lovely and serviceable ballet scores,” Homans writes, but “these composers tended to follow rather than lead, and their music enhanced and illustrated but rarely challenged.” Sleeping Beauty’s score, however, has “a powerful symphonic score that stood on its own merits.”
At a recent Saturday matinee, hours after the first performance transpired on the Metropolitan Opera House stage, the prologue and three acts unfolded once again. Seated in the velvet seats of the Met were some of the most important voices in dance: veteran critics and dance writers. But the 2 p.m. show also brought little girls in frilly dresses whispering to the adults seated beside them and twirling in the aisles between acts.
“Children delight in its story, general audiences know its reputation for grandeur as a special theatrical evening and balletomanes cherish the pure classicism Petipa developed out of ballet's academic idiom. As a ballet score, its music is widely regarded as unsurpassed,” wrote Anna Kisselgoff, former chief dance critic for The New York Times, when ABT performed its second version of the ballet in 1987. “The Sleeping Beauty has remained one of the great touchstones of classical ballet.”
Read more at:http://www.sheinbridaldress.co.uk/cheap-wedding-dresses
After the ballet's premiere in St. Petersburg in 1890, one critic complained thus about the bare story line: “They dance, they fall asleep, they dance again.”
Nevertheless, it has been staged and restaged a seemingly endless number of times all over the world, sometimes even multiple times by the same company. And though the fairy tale is simple, producing the ballet is not. Some versions have been docked or dismissed by critics for falling short of the original collaboration between ballet master Marius Petipa, the renowned composer Pyotr Ilyich Tchaikovsky and Imperial Theatres director Ivan Vsevolozhsky. Others have been praised for capturing the spirit of the iconic work, which looms large in ballet history.
American Ballet Theatre alone has had four productions since the company was founded in 1940, according to its program notes. Its third full version premiered at the Metropolitan Opera House in New York City on June 1, 2007, and it was staged after Petipa by ABT’s artistic director Kevin McKenzie along with Gelsey Kirkland and Michael Chernov.
“How does a ballerina solve a problem like Aurora?” wrote Gia Kourlas in The New York Times in her review dated June 12, 2007. “It’s no easy task, especially when she is held captive by a production as muddled as American Ballet Theater’s busy, dramaturge-heavy version of The Sleeping Beauty.”
Alastair Macaulay, who had stepped into the post of chief dance critic at theTimes earlier that year, called it “Disneyesque,” “scarcely a production for purists,” and one that “isn’t hidebound by custom.” He described the pastiche of a Sleeping Beauty “as seen through the lens of various movies,” from Lord of the Rings and Harry Potter to The Court Jester and The Wizard of Oz. He faulted the production for the way it treated Tchaikovsky’s score and for relying on Petipa’s choreography in bits and pieces without understanding the overall architecture that ties it all together.
A fourth version recently replaced that “misbegotten 2007–2013 production,” as Macaulay dubbed it, and this one did all it could to pay homage to the ballet’s roots. Alexei Ratmansky’s new production—which premiered in Costa Mesa, California, in March and began its New York run on May 28—is vastly different from the transformation he bestowed upon The Nutcracker in 2010. His Nutcracker was reimagined, but his Beauty is “reawakened.”
Ratmansky and designer Richard Hudson focused on two important productions in the quest to peel back the trappings of later versions and return to the essence of Beauty. The choreographer learned to read Stepanov notation—used to record ballets like a musical score—and studied records of Petipa’s choreography. Nikolai Sergeev brought these notations from Russia to the West after the revolution, where they eventually became part of the Harvard Theatre Collection.
Meanwhile, Hudson looked to Léon Bakst for inspiration. Bakst designed costumes and sets for the production by Sergei Diaghilev’s Ballets Russes, which premiered at London’s Alhambra Theatre in 1921. Social and dance historian Caroline Hamilton was hired to do research for Ratmansky and Hudson, tracking down the original designs and costumes from the 1921Beauty, which planted the ballet in the foundation of British tradition and which in turn helped make the ballet a favorite across the pond.
So the ballet was originally choreographed by a French expatriate ballet master living in St. Petersburg to music by a renowned Russian composer at the end of the 19th century. Three decades later, a Russian impresario, having left his home country after the revolution, put up an iconic version of the same ballet in London. Now, more than a hundred years after it first appeared onstage, its latest iteration is staged by a Russian choreographer working as artist in residence for a company that boasts “American” in its title.
If The Sleeping Beauty’s creation and evolution sound layered, that’s because they are, and intrinsically so. The ballet represents the shifting center of the art form from France to Russia and the arrival of the classical era after the romantic. In the 20th century, it was part of the birth of ballet traditions in England and the U.S. that simultaneously embraced a classical history and invented a new contemporary. And just as importantly, it marks a leap in the quality of music used for ballet. This one work, in other words, is a window into much of ballet’s history.
“It is doubtful that any other art work, ever, has influenced its own field so heavily,” wrote Joan Acocella this month in The New Yorker.
The ballet has often been evaluated, then, by its relationship to earlier productions, especially that of 1890. ABT’s first full-length staging, which featured Natalia Makarova and Mikhail Baryshnikov as Aurora and the prince, premiered on June 15, 1976. Then-Times critic Clive Barnes wrote:
Most recently, Macaulay called Ratmansky’s Beauty “a fascinating, important staging— often revelatory.… Its dances are an amazingly conscientious demonstration of Petipa’s original intentions.”
Choreographers, too, have set their sights on recreating that original opus. In staging ABT’s second version—which premiered on February 11, 1987 in Chicago—Sir Kenneth MacMillian said, “I want to pass on my knowledge of Sergeyev's production of Petipa, for I think it was truly magical.”
Ratmansky also reveled in Petipa’s work. “It’s constant amazement,” he told the Times as he was preparing for the Costa Mesa premiere. “I’ve learned more about Petipa in these last three months than I learned in my whole life—his phenomenal mastery of the craft, finding the threads he follows from the beginning to the end.”
But Sleeping Beauty is not only rich in history. It’s also an easy entry point for those less familiar and mildly intimidated by ballet. People are “drawn to story ballets as a first time to go,” says Hamilton. And like the other late 19th century works that have survived and become household names—The Nutcracker and Swan Lake—it’s also set to music by Tchaikovsky that is familiar far beyond devoted dance circles.
“The key to the ballet’s enduring appeal,” writes Jennifer Homans in her 2010 book Apollo’s Angels: A History of Ballet, “was Tchaikovsky. It is a point worth emphasizing: Tchaikovsky was the first composer of real stature to see ballet as a substantial art, and his music lifted dance onto a new plane.” Previously, composers like Adolphe Adam (Giselle) and Ludwig Minkus (Don Quixote), produced “lovely and serviceable ballet scores,” Homans writes, but “these composers tended to follow rather than lead, and their music enhanced and illustrated but rarely challenged.” Sleeping Beauty’s score, however, has “a powerful symphonic score that stood on its own merits.”
At a recent Saturday matinee, hours after the first performance transpired on the Metropolitan Opera House stage, the prologue and three acts unfolded once again. Seated in the velvet seats of the Met were some of the most important voices in dance: veteran critics and dance writers. But the 2 p.m. show also brought little girls in frilly dresses whispering to the adults seated beside them and twirling in the aisles between acts.
“Children delight in its story, general audiences know its reputation for grandeur as a special theatrical evening and balletomanes cherish the pure classicism Petipa developed out of ballet's academic idiom. As a ballet score, its music is widely regarded as unsurpassed,” wrote Anna Kisselgoff, former chief dance critic for The New York Times, when ABT performed its second version of the ballet in 1987. “The Sleeping Beauty has remained one of the great touchstones of classical ballet.”
Read more at:http://www.sheinbridaldress.co.uk/cheap-wedding-dresses
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